{"id":2292,"date":"2024-12-02T11:39:00","date_gmt":"2024-12-02T10:39:00","guid":{"rendered":"https:\/\/marcocaria.net\/?p=2292"},"modified":"2025-12-02T12:02:32","modified_gmt":"2025-12-02T11:02:32","slug":"tosca-sassari-novembre-2024","status":"publish","type":"post","link":"https:\/\/marcocaria.net\/de\/tosca-sassari-novembre-2024\/","title":{"rendered":"TOSCA - SASSARI, NOVEMBER 2024"},"content":{"rendered":"<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-medium-font-size\"><em><strong>\u201c<em><em><em><em>Eine hervorragende Leistung des Baritons Marco Caria, der einen turbulenten Scarpia auf die B\u00fchne brachte, perfekt gezeichnet von einer kraftvollen Stimme mit einem sch\u00f6nen dunklen Timbre und einer magnetischen B\u00fchnenpr\u00e4senz<\/em><\/em><\/em><\/em>\u201c<\/strong><\/em>.<\/p>\n<cite><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.lanuovasardegna.it\/tempo-libero\/2024\/11\/03\/news\/applausi-a-scena-aperta-al-lirico-tosca-conquista-ancora-sassari-1.100611719\" target=\"_blank\" rel=\"noopener\" title=\"\">\u00abLa Nuova Sardegna\u00bb.\u00bb<\/a><\/span><\/cite><\/blockquote>\n\n\n\n<div class=\"wp-block-uagb-separator uagb-block-72e7a7bb\"><div class=\"wp-block-uagb-separator__inner\" style=\"--my-background-image:\"><\/div><\/div>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-medium-font-size\"><em><strong>\u201c<em><em><em><em>Der Interpret, der diese Notwendigkeit, die Stimmen organischer in die Partitur einzuf\u00fcgen, am besten verstand, war sicherlich Marco Caria, ein raffinierter Scarpia, ohne gewisse veristische Spielereien, eher geneigt, durch seine stimmlichen Eigenschaften einen angedeuteten Charakter zu konstruieren, reich an Nuancen, kalt berechnend, weit entfernt von dem groben, lautstarken Polizisten bestimmter Interpretationen. Es ist kein Zufall, dass es mehr als die Langsamkeit seines Auftritts wirklich bewundernswert war, einen zweiten Akt zu sehen, der perfekt mit den musikalischen und dramaturgischen Mechanismen \u00fcbereinstimmte, mit einer sicheren, homogenen Stimmqualit\u00e4t und einer Vielfalt von ausdrucksstarken Akzenten<\/em><\/em><\/em><\/em>\u201c<\/strong><\/em>.<\/p>\n<cite><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.gbopera.it\/2024\/11\/tosca-al-teatro-comunale-di-sassari-2\/\" target=\"_blank\" rel=\"noopener\" title=\"\">Gabriele Verdinelli, \u00abGBopera\u00bb<\/a><\/span><\/cite><\/blockquote>\n\n\n\n<div class=\"wp-block-uagb-separator uagb-block-5b7f9a20\"><div class=\"wp-block-uagb-separator__inner\" style=\"--my-background-image:\"><\/div><\/div>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-medium-font-size\"><em><strong>\u201c<em><em><em><em>Der Bariton Marco Caria spielte einen gl\u00fchenden Scarpia, unterst\u00fctzt von einem\u00a0<\/em><strong><em>kraftvolle Stimme und eine magnetische B\u00fchnenpr\u00e4senz<\/em><\/strong><\/em><\/em><\/em>\u201c<\/strong><\/em>.<\/p>\n<cite><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.shmag.it\/sardegna\/sassari\/03_11_2024\/tosca-incanta-sassari-lopera-di-puccini-replica-oggi-e-martedi-al-teatro-comunale\/amp\/\" target=\"_blank\" rel=\"noopener\" title=\"\">Marco Cau, Zeitschrift \u00abSchmag\u00bb<\/a><\/span><\/cite><\/blockquote>\n\n\n\n<div class=\"wp-block-uagb-separator uagb-block-7a2d2ce1\"><div class=\"wp-block-uagb-separator__inner\" style=\"--my-background-image:\"><\/div><\/div>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-medium-font-size\"><em><strong>\u201c<em><em><em>Der sardische Bariton Marco Caria hat die\u00a0<\/em><strong><em>K\u00f6rperbau der Rolle<\/em><\/strong><em>\u00a0Scarpias abgestumpfte Arroganz meisterhaft zu verk\u00f6rpern<\/em><\/em><\/em>\u201c<\/strong><\/em>.<\/p>\n<cite><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.rivistamusica.com\/a-sassari-un-omaggio-a-puccini-con-tosca\/\" target=\"_blank\" rel=\"noopener\" title=\"\">Maggie S. Lorelli, \u00abDie Musikrevue\u00bb<\/a><\/span><\/cite><\/blockquote>\n\n\n\n<div class=\"wp-block-uagb-separator uagb-block-31650ddb\"><div class=\"wp-block-uagb-separator__inner\" style=\"--my-background-image:\"><\/div><\/div>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-medium-font-size\"><em><strong>\u201c<em><em>Die Figur des Barons Scarpia, der Tosca untergr\u00e4bt, indem er seine Rolle als Polizist ausnutzt, macht das Drama d\u00fcster: Der Bariton Marco Caria aus Oristano schafft es, ihn nicht nur stimmlich, sondern auch schauspielerisch zu einem \u201cfinsteren Schurken\u201d zu machen<\/em><\/em>\u201c<\/strong><\/em>.<\/p>\n<cite><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.unionesarda.it\/spettacoli\/una-tosca-emozionante-grazie-al-soprano-marta-mari-w5xhx8ag?amp=1\" target=\"_blank\" rel=\"noopener\" title=\"\">\u00abDie Sardische Union\u00bb<\/a><\/span><\/cite><\/blockquote>\n\n\n\n<div class=\"wp-block-uagb-separator uagb-block-73031de9\"><div class=\"wp-block-uagb-separator__inner\" style=\"--my-background-image:\"><\/div><\/div>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-medium-font-size\"><em><strong>\u201c<em><em>Marco Caria (diesmal ohne den Bart, mit dem wir ihn gewohnt waren) machte sich ebenfalls gut in der Rolle des Baron Scarpia. Der Bariton aus Oristano, der nach seinem gl\u00fccklichen Deb\u00fct vor zwei Jahren als Padre Germont in der Traviata (und wir erkannten sofort seine Qualit\u00e4ten) am Comunale di Sassari zu Hause ist und dann 2023 in Pagliacci auf der Piazza d'Italia und in Nabucco und 2024 bereits als Jago in Otello zur\u00fcckkehrte, ist eine sch\u00f6ne Realit\u00e4t in der Oper der Insel. Von Scarpia bot er eine intensive Interpretation auch in schauspielerischer Hinsicht<\/em><\/em>\u201c<\/strong><\/em>.<\/p>\n<cite><a href=\"https:\/\/www.cityandcity.it\/tosca-marta-mari-e-otar-jorjikia-incantano-il-pubblico-sassarese\/\" target=\"_blank\" rel=\"noopener\" title=\"\"><span style=\"text-decoration: underline;\">L<\/span><\/a><span style=\"text-decoration: underline;\"><a href=\"https:\/\/sardies.it\/al-comunale-di-sassari-tosca-ha-aperto-la-stagione-lirica-autunnale-nel-solco-della-tradizione\/\" target=\"_blank\" rel=\"noopener\" title=\"\">uca Foddai, \u00abSard\u00eces.it\u00bb.\u00bb<\/a><\/span><\/cite><\/blockquote>\n\n\n\n<div class=\"wp-block-uagb-separator uagb-block-488eaa8a\"><div class=\"wp-block-uagb-separator__inner\" style=\"--my-background-image:\"><\/div><\/div>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-medium-font-size\"><em><strong>\u201c<em><em>Konfirmation\u00a0<\/em><strong><em>ausgezeichnete gesangliche F\u00e4higkeiten<\/em><\/strong><em>\u00a0Der sardische Bariton Marco Caria, zu Hause in den Produktionen von De Carolis. Seine Interpretation des b\u00f6sartigen Scarpia war entscheidend ...<\/em><\/em>\u201c<\/strong><\/em><\/p>\n<cite><a href=\"https:\/\/www.cityandcity.it\/tosca-marta-mari-e-otar-jorjikia-incantano-il-pubblico-sassarese\/\" target=\"_blank\" rel=\"noopener\" title=\"\"><span style=\"text-decoration: underline;\">Luigi Coppola, \u00abStadt&amp;Stadt\u00bb<\/span><\/a><\/cite><\/blockquote>\n\n\n\n<div class=\"wp-block-uagb-separator uagb-block-46bc94dc\"><div class=\"wp-block-uagb-separator__inner\" style=\"--my-background-image:\"><\/div><\/div>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-medium-font-size\"><em><strong>\u201c<em>Positiv war auch die Leistung des Baritons Marco Caria, der den Scarpia mit magnetischer B\u00fchnenpr\u00e4senz und einer f\u00fcr die Rolle geeigneten Stimme verk\u00f6rperte<\/em>\u201c<\/strong><\/em>.<\/p>\n<cite><a href=\"https:\/\/www.iteatridellest.com\/sassari-tosca-giacomo-puccini-1-novembre-2024\" target=\"_blank\" rel=\"noopener\" title=\"\"><span style=\"text-decoration: underline;\">\u00abDie Theater des Ostens\u00bb<\/span><\/a><\/cite><\/blockquote>\n\n\n\n<p>Die Rezensionen beziehen sich auf die Auff\u00fchrungen am 1., 3. und 5. November 2024 in der Ente Concerti Marialisa de Carolis in Sassari.<br>Regie: Gianluca Martinenghi \/ Regie: Renato Bonaiuto<\/p>","protected":false},"excerpt":{"rendered":"<p>&#8220;Ottima la prova del baritono Marco Caria che ha portato sul palco un torbido Scarpia disegnato alla perfezione da una voce potente dal bel timbro scuro e una magnetica presenza scenica&#8220;. \u00abLa Nuova Sardegna\u00bb &#8220;L\u2019interprete che ha compreso meglio la necessit\u00e0 di questa esigenza di inserire le voci in maniera pi\u00f9 organica \u201cdentro\u201d la partitura [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center 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la necessit\u00e0 di questa esigenza di inserire le voci in maniera pi\u00f9 organica \u201cdentro\u201d la partitura&hellip;","_links":{"self":[{"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/posts\/2292","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/comments?post=2292"}],"version-history":[{"count":11,"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/posts\/2292\/revisions"}],"predecessor-version":[{"id":2312,"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/posts\/2292\/revisions\/2312"}],"wp:attachment":[{"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/media?parent=2292"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/categories?post=2292"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/tags?post=2292"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}