{"id":2334,"date":"2024-07-13T17:07:43","date_gmt":"2024-07-13T16:07:43","guid":{"rendered":"https:\/\/marcocaria.net\/?p=2334"},"modified":"2025-12-03T17:15:06","modified_gmt":"2025-12-03T16:15:06","slug":"otello-sassari-luglio-2024","status":"publish","type":"post","link":"https:\/\/marcocaria.net\/de\/otello-sassari-luglio-2024\/","title":{"rendered":"OTHELLO - SASSARI, JULI 2024"},"content":{"rendered":"<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-medium-font-size\"><em><strong>\u201c<\/strong>Und dann ist da noch er, das wirklich dunkle Element: Jago, der Bischof, gespielt von Bariton Marco Caria. <strong>Die sch\u00f6ne Stimme mit dem geschliffenen Timbre ist reich an Farben<\/strong>. Anspielungsreich, b\u00f6sartig, schleimig und opportunistisch. In ihm steckt alles, was Jago zu dem perversen Manipulator macht, der er ist.<br>Sie schmeichelt Othello, t\u00e4uscht ihn und bringt ihn dazu, an Desdemonas Treue zu zweifeln. Sie intrigiert gegen Cassio. Die Stimme passt sich den Situationen an wie die Haut eines Cham\u00e4leons. Sie wird subtil und einschmeichelnd, um Othello zu t\u00e4uschen, stolz und kraftvoll in der Arie Credo in un Dio crudel..., in der sie arrogant von ihrer Gemeinheit erz\u00e4hlt, m\u00e4nnlich und mitschuldig in den Dialogen mit dem Offizier Cassio<strong>\u201c<\/strong>.<\/em><\/p>\n<cite><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.iteatridellest.com\/sassari-otello-giuseppe-verdi-12-luglio-2024-a-cura-di-loredana-atzei\/\" target=\"_blank\" rel=\"noopener\" title=\"\">Loredana Atzei, \u00abDie Theater des Ostens\u00bb<\/a><\/span><\/cite><\/blockquote>\n\n\n\n<div class=\"wp-block-uagb-separator uagb-block-5b7f9a20\"><div class=\"wp-block-uagb-separator__inner\" style=\"--my-background-image:\"><\/div><\/div>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-medium-font-size\"><em><strong>\u201c<em><em><em><em>Aber das Zentrum der Oper wurde ihm anvertraut, dem Jago von Marco Caria, der zu Recht als eine der interessantesten Stimmen der internationalen Opernszene gilt und der Verdis pr\u00e4zisen Bariton mit Nachdruck respektierte<\/em><\/em><\/em><\/em>\u201c<\/strong><\/em>.<\/p>\n<cite><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.rivistamusica.com\/a-sassari-con-otello-lopera-torna-popolare\/\" target=\"_blank\" rel=\"noopener\" title=\"\">Myriam Quaquero, \u00abThe Classical Music Review\u00bb<\/a><\/span><\/cite><\/blockquote>\n\n\n\n<div class=\"wp-block-uagb-separator uagb-block-7a2d2ce1\"><div class=\"wp-block-uagb-separator__inner\" style=\"--my-background-image:\"><\/div><\/div>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-medium-font-size\"><em><strong>\u201c<em><em><em>Der perfide Bischof Jago, gespielt von dem hervorragenden Bariton Marco Caria (fu Tonio in Pagliacci)<\/em><\/em><\/em>\u201c<\/strong><\/em>.<\/p>\n<cite><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.cityandcity.it\/sassari-con-otello-e-ancora-grande-lirica-destate-in-piazza-ditalia\/\" target=\"_blank\" rel=\"noopener\" title=\"\">Luigi Coppola, Zeitschrift \u00abStadt und Stadt\u00bb<\/a><\/span><\/cite><\/blockquote>\n\n\n\n<div class=\"wp-block-uagb-separator uagb-block-31650ddb\"><div class=\"wp-block-uagb-separator__inner\" style=\"--my-background-image:\"><\/div><\/div>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-medium-font-size\"><em><strong>\u201c<em><em>Der Bariton Marco Caria (Jago) und die Sopranistin Angela Nisi (Desdemona) verk\u00f6rperten die beiden anderen Figuren im \u201cDreieck\u201d der Protagonisten: der eine hinterh\u00e4ltig, der andere rein, beide selbstbewusst.<\/em><\/em>\u201c<\/strong><\/em>.<\/p>\n<cite><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.unionesarda.it\/spettacoli\/otello-verdi-e-lente-de-carolis-lo-spettacolo-affascina-piazza-ditalia-hcstw2jq\" target=\"_blank\" rel=\"noopener\" title=\"\">Giampiero Marras, \u00abDie sardische Union\u00bb<\/a><\/span><\/cite><\/blockquote>\n\n\n\n<div class=\"wp-block-uagb-separator uagb-block-73031de9\"><div class=\"wp-block-uagb-separator__inner\" style=\"--my-background-image:\"><\/div><\/div>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-medium-font-size\"><em><strong>\u201c<em><em>...Marco Caria, ein Bariton-Bass, der seit La Traviata im Jahr 2022 eine Garantie f\u00fcr die Ente Concerti ist (ein hervorragender Padre Germont) und im letzten Jahr Tonio in Pagliacci und in Nabucco<\/em><\/em>\u201c<\/strong><\/em>.<\/p>\n<cite><span style=\"text-decoration: underline;\"><a href=\"https:\/\/sardies.it\/otello-in-piazza-ditalia-unoccasione-mancata\/\" target=\"_blank\" rel=\"noopener\" title=\"\">L.F. \u00abSardies.it\u00bb<\/a><\/span><\/cite><\/blockquote>\n\n\n\n<div class=\"wp-block-uagb-separator uagb-block-46bc94dc\"><div class=\"wp-block-uagb-separator__inner\" style=\"--my-background-image:\"><\/div><\/div>\n\n\n\n<p>Die Rezensionen beziehen sich auf die Auff\u00fchrung am 12. Juli 2024 in der Ente Concerti Marialisa de Carolis in Sassari (Piazza Italia).<\/p>\n\n\n\n<p>Regie: Sergio Oliva \/ Regie: Alberto Gazale<\/p>","protected":false},"excerpt":{"rendered":"<p>&#8220;E poi c\u2019\u00e8 lui, il vero elemento scuro: Jago, l\u2019Alfiere, interpretato dal baritono Marco Caria. La bella voce dal timbro brunito \u00e8 ricca di colori. Insinuante, feroce, viscido e opportunista. In lui c\u2019\u00e8 tutto quello che fa di Jago il perverso manipolatore che \u00e8.Lusinga Otello, lo circuisce, lo induce a dubitare della fedelt\u00e0 di Desdemona. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[6,7],"tags":[],"class_list":["post-2334","post","type-post","status-publish","format-standard","hentry","category-recensioni","category-verdi"],"aioseo_notices":[],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"trp-custom-language-flag":false},"uagb_author_info":{"display_name":"author","author_link":"https:\/\/marcocaria.net\/de\/author\/llenusyagmail-com\/"},"uagb_comment_info":0,"uagb_excerpt":"&#8220;E poi c\u2019\u00e8 lui, il vero elemento scuro: Jago, l\u2019Alfiere, interpretato dal baritono Marco Caria. La bella voce dal timbro brunito \u00e8 ricca di colori. Insinuante, feroce, viscido e opportunista. In lui c\u2019\u00e8 tutto quello che fa di Jago il perverso manipolatore che \u00e8.Lusinga Otello, lo circuisce, lo induce a dubitare della fedelt\u00e0 di Desdemona.&hellip;","_links":{"self":[{"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/posts\/2334","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/comments?post=2334"}],"version-history":[{"count":4,"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/posts\/2334\/revisions"}],"predecessor-version":[{"id":2341,"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/posts\/2334\/revisions\/2341"}],"wp:attachment":[{"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/media?parent=2334"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/categories?post=2334"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/tags?post=2334"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}