{"id":2342,"date":"2024-04-20T09:36:55","date_gmt":"2024-04-20T08:36:55","guid":{"rendered":"https:\/\/marcocaria.net\/?p=2342"},"modified":"2025-12-05T09:47:23","modified_gmt":"2025-12-05T08:47:23","slug":"la-boheme-tokyo-spring-festival-aprile-2024","status":"publish","type":"post","link":"https:\/\/marcocaria.net\/de\/la-boheme-tokyo-spring-festival-aprile-2024\/","title":{"rendered":"LA BOHEME - TOKIO FR\u00dcHLINGSFESTIVAL, APRIL 2024"},"content":{"rendered":"<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-medium-font-size\"><em><strong>\u201c<em><em><em>Vor allem Marco Caria in der Rolle des Marcello zeichnete sich durch eine tiefe und warme Gesangslinie aus, mit einer vollen und gleichm\u00e4\u00dfigen Resonanz, die sich gleichm\u00e4\u00dfig im ganzen Saal ausbreiten konnte. Sein stets fester und kontrollierter Gesang besticht durch seine Pr\u00e4zision und sein Ma\u00df, wobei er jeden Akzent mit Nat\u00fcrlichkeit trifft. Um das Bild zu vervollst\u00e4ndigen, eine Nuance von stimmlichem Charme - fast ein subtiler klanglicher Sexappeal - der ihre Interpretation noch einnehmender und magnetischer macht.<\/em><\/em><\/em>\u201c.<\/strong><\/em><\/p>\n\n\n\n<p><a href=\"http:\/\/blog.livedoor.jp\/kzfj0409\/archives\/92705366.html\" target=\"_blank\" rel=\"noopener\" title=\"\"><span style=\"text-decoration: underline;\">http:\/\/blog.livedoor.jp\/kzfj0409\/archives\/92705366.html<\/span><\/a><\/p>\n<\/blockquote>\n\n\n\n<div class=\"wp-block-uagb-separator uagb-block-c451a908\"><div class=\"wp-block-uagb-separator__inner\" style=\"--my-background-image:\"><\/div><\/div>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-medium-font-size\"><em><strong>\u201c<em><em><em>Marco Caria setzte in seiner Interpretation des Marcello seinen ganzen K\u00f6rper ein, um den kraftvollen Baritonklang zu erzeugen.<\/em><\/em><\/em>\u201c.<\/strong><\/em><\/p>\n\n\n\n<p><a href=\"https:\/\/ameblo.jp\/baybay22\/entry-12848140453.html\" target=\"_blank\" rel=\"noopener\" title=\"\"><span style=\"text-decoration: underline;\">https:\/\/ameblo.jp\/baybay22\/entry-12848140453.html<\/span><\/a><\/p>\n<\/blockquote>\n\n\n\n<div class=\"wp-block-uagb-separator uagb-block-7515b884\"><div class=\"wp-block-uagb-separator__inner\" style=\"--my-background-image:\"><\/div><\/div>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-medium-font-size\"><em><strong>\u201c<em><em><em>Caria, die die Rolle des Marcello spielt, hat eine subtile und homogene Gesangslinie<\/em><\/em><\/em>\u201c.<\/strong><\/em><\/p>\n\n\n\n<p><span style=\"text-decoration: underline;\"><a href=\"https:\/\/ameblo.jp\/classic-journey\/entry-12848404456.html\" target=\"_blank\" rel=\"noopener\" title=\"\">https:\/\/ameblo.jp\/classic-journey\/entry-12848404456.html<\/a><\/span><\/p>\n<\/blockquote>\n\n\n\n<div class=\"wp-block-uagb-separator uagb-block-d6ed81bb\"><div class=\"wp-block-uagb-separator__inner\" style=\"--my-background-image:\"><\/div><\/div>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-medium-font-size\"><em><strong>\u201c<em><em>Was die m\u00e4nnlichen Stimmen betrifft, so ist der Marcello von Marco Caria wunderbar. Marcellos reiche Stimme l\u00e4sst einen seine Zugeh\u00f6rigkeit sp\u00fcren. Besonders der zweite Akt ist wunderbar<\/em><\/em>\u201c.<\/strong><\/em><\/p>\n\n\n\n<p><a href=\"http:\/\/bunbunpalace2.livedoor.blog\/archives\/24456714.html\" target=\"_blank\" rel=\"noopener\" title=\"\"><span style=\"text-decoration: underline;\">http:\/\/bunbunpalace2.livedoor.blog\/archives\/24456714.html<\/span><\/a><\/p>\n<\/blockquote>\n\n\n\n<div class=\"wp-block-uagb-separator uagb-block-e8cd5a27\"><div class=\"wp-block-uagb-separator__inner\" style=\"--my-background-image:\"><\/div><\/div>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-medium-font-size\"><em><strong>\u201c<em>Marco Carias edler Marcello (Bariton) hat eine dunkle Stimme, und zusammen mit Collines Stimme schaffen sie eine jugendliche Atmosph\u00e4re, unterst\u00fctzt von einer Orchestermusik, die die Lyrik unterstreicht<\/em>\u201c.<\/strong><\/em><\/p>\n\n\n\n<p><a href=\"https:\/\/classicnavi.jp\/newsflash\/post-16156\/\" target=\"_blank\" rel=\"noopener\" title=\"\"><span style=\"text-decoration: underline;\">Toshi Kohara, Musikkritiker, Opernkritiker.<\/span><\/a><\/p>\n<\/blockquote>\n\n\n\n<div class=\"wp-block-uagb-separator uagb-block-0591c069\"><div class=\"wp-block-uagb-separator__inner\" style=\"--my-background-image:\"><\/div><\/div>\n\n\n\n<p>Die Rezensionen beziehen sich auf die Auff\u00fchrungen am 11. und 14. April 2024.<\/p>\n\n\n\n<p>Dirigent: Pier Giorgio Morandi \/ Oper in Konzertform<\/p>","protected":false},"excerpt":{"rendered":"<p>&#8220;Innanzitutto, Marco Caria nel ruolo di Marcello si \u00e8 distinto per una linea vocale profonda e calda, dalla risonanza piena e uniforme, capace di diffondersi in modo omogeneo in tutta la sala. Il suo canto, sempre saldo e controllato, colpisce per precisione e misura, toccando ogni accento con naturalezza. A completare il quadro, una sfumatura [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[8,6],"tags":[],"class_list":["post-2342","post","type-post","status-publish","format-standard","hentry","category-puccini","category-recensioni"],"aioseo_notices":[],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"trp-custom-language-flag":false},"uagb_author_info":{"display_name":"author","author_link":"https:\/\/marcocaria.net\/de\/author\/llenusyagmail-com\/"},"uagb_comment_info":0,"uagb_excerpt":"&#8220;Innanzitutto, Marco Caria nel ruolo di Marcello si \u00e8 distinto per una linea vocale profonda e calda, dalla risonanza piena e uniforme, capace di diffondersi in modo omogeneo in tutta la sala. Il suo canto, sempre saldo e controllato, colpisce per precisione e misura, toccando ogni accento con naturalezza. A completare il quadro, una sfumatura&hellip;","_links":{"self":[{"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/posts\/2342","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/comments?post=2342"}],"version-history":[{"count":3,"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/posts\/2342\/revisions"}],"predecessor-version":[{"id":2346,"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/posts\/2342\/revisions\/2346"}],"wp:attachment":[{"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/media?parent=2342"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/categories?post=2342"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/tags?post=2342"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}