{"id":2377,"date":"2023-08-20T09:13:01","date_gmt":"2023-08-20T08:13:01","guid":{"rendered":"https:\/\/marcocaria.net\/?p=2377"},"modified":"2025-12-10T09:13:32","modified_gmt":"2025-12-10T08:13:32","slug":"la-traviata-teatro-dellopera-di-roma-terme-di-caracalla-2023","status":"publish","type":"post","link":"https:\/\/marcocaria.net\/de\/la-traviata-teatro-dellopera-di-roma-terme-di-caracalla-2023\/","title":{"rendered":"La traviata - Opernhaus Rom \/ Caracalla-Thermen, 2023"},"content":{"rendered":"<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-medium-font-size\"><em><strong>\u201c<em><em>In diesem Zusammenhang nimmt die Rolle des Baritons keinen besonders positiven Charakter an: Er vertritt n\u00e4mlich die Interessen der Familie - einer Institution, die zuweilen krank ist - und gleichzeitig die der primitiven Horde, die nun in eine Gesellschaft kanalisiert wird, die so respektabel ist wie die Mitte des 19. Jahrhunderts kanalisiert wird. Die von Marco Caria gespielte Figur erlangt jedoch in den ber\u00fchmtesten Passagen Selbstvertrauen und Autorit\u00e4t - und seine Stimme ist immer von gro\u00dfer Wirkung -: von der Begegnung mit dem Protagonisten im Landhaus, in v\u00f6lliger Intimit\u00e4t, bis hin zu den Vorw\u00fcrfen an Alfredo w\u00e4hrend Floras Party, nach der Diskussion zwischen den beiden Liebenden.<\/em><\/em>\u201c<\/strong><\/em><\/p>\n<\/blockquote>\n\n\n\n<p>Original: \u201c<em>Aqu\u00ed no tiene un roll agraciado el bar\u00edtono, defendido por Marco Caria, que representa los intereses de la familia, instituci\u00f3n enfermiza en ocasiones y tambi\u00e9n los de la horda primigenia ahora organizada en una sociedad bienpensante como la de mitad del siglo XIX. Sin embargo, interpret\u00f3 con solvencia - su cuerda siempre es muy agradecida adem\u00e1s- los pasajes m\u00e1s conocidos de su encuentro con la protagonista en su casa de campo, a solas y la reconvenci\u00f3n a Alfredo, en la fiesta de Flora, posterior a la discusi\u00f3n entre los amantes por ejemplo<\/em>\u201c.<\/p>\n\n\n\n<p><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.operaclick.com\/recensioni\/teatrale\/roma-terme-di-caracalla-la-traviata-recensione-lingua-spagnola-critica-en-espa%C3%B1o\" target=\"_blank\" rel=\"noopener\" title=\"\">Alicia Perris, Operaclick.com<\/a><\/span><\/p>\n\n\n\n<p><em>Die Rezension bezieht sich auf das St\u00fcck <em>vom 9. August 2023<\/em><\/em>.<\/p>\n\n\n\n<p>Regie: Paolo Arrivabeni \/ Regie: Lorenzo Mariani<\/p>\n\n\n\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>&#8220;In questo contesto il ruolo del baritono non assume un carattere particolarmente positivo: rappresenta infatti gli interessi della famiglia \u2013 istituzione a tratti malata \u2013 e, al tempo stesso, quelli dell\u2019orda primigenia, ora incanalata in una societ\u00e0 perbenista come quella della met\u00e0 dell\u2019Ottocento. Tuttavia, interpretato da Marco Caria, il personaggio acquista sicurezza e autorevolezza \u2013 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[6,7],"tags":[],"class_list":["post-2377","post","type-post","status-publish","format-standard","hentry","category-recensioni","category-verdi"],"aioseo_notices":[],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"trp-custom-language-flag":false},"uagb_author_info":{"display_name":"author","author_link":"https:\/\/marcocaria.net\/de\/author\/llenusyagmail-com\/"},"uagb_comment_info":0,"uagb_excerpt":"&#8220;In questo contesto il ruolo del baritono non assume un carattere particolarmente positivo: rappresenta infatti gli interessi della famiglia \u2013 istituzione a tratti malata \u2013 e, al tempo stesso, quelli dell\u2019orda primigenia, ora incanalata in una societ\u00e0 perbenista come quella della met\u00e0 dell\u2019Ottocento. Tuttavia, interpretato da Marco Caria, il personaggio acquista sicurezza e autorevolezza \u2013&hellip;","_links":{"self":[{"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/posts\/2377","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/comments?post=2377"}],"version-history":[{"count":1,"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/posts\/2377\/revisions"}],"predecessor-version":[{"id":2378,"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/posts\/2377\/revisions\/2378"}],"wp:attachment":[{"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/media?parent=2377"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/categories?post=2377"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/tags?post=2377"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}