{"id":2388,"date":"2022-12-20T11:28:25","date_gmt":"2022-12-20T10:28:25","guid":{"rendered":"https:\/\/marcocaria.net\/?p=2388"},"modified":"2025-12-10T11:32:21","modified_gmt":"2025-12-10T10:32:21","slug":"la-traviata-teatro-comunale-di-sassari-dicembre-2022","status":"publish","type":"post","link":"https:\/\/marcocaria.net\/de\/la-traviata-teatro-comunale-di-sassari-dicembre-2022\/","title":{"rendered":"La traviata - Stadttheater von Sassari, Dezember 2022"},"content":{"rendered":"<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-medium-font-size\"><em><strong>\u201c<em><em><em><em>Die Leistung von Marco Caria aus Sassari, in der Rolle des Germont padre, war bemerkenswert f\u00fcr seinen Ausdruck, seine stimmliche Sch\u00f6nheit und die Vielfalt der Akzente: ausgezeichnet im Duett mit Violetta, meisterte er die heimt\u00fcckische Anadiplosis in Di Provenza il mare, il suol... Das mittlere akustische Register, poliert und sonor, ist seine beste Waffe...<\/em><\/em><\/em><\/em>\u201c<\/strong><\/em>.<\/p>\n<cite><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.gbopera.it\/2022\/12\/la-traviata-chiude-la-stagione-del-teatro-comunale-di-sassari\/\" target=\"_blank\" rel=\"noopener\" title=\"\">Gabriele Verdinelli, GBopera<\/a><\/span><\/cite><\/blockquote>\n\n\n\n<div class=\"wp-block-uagb-separator uagb-block-72e7a7bb\"><div class=\"wp-block-uagb-separator__inner\" style=\"--my-background-image:\"><\/div><\/div>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-medium-font-size\"><em><strong>\u201c<em><em><em><em><em>Die Kr\u00f6nung dieser Produktion ist der Bariton Marco Caria, der einen wirklich au\u00dfergew\u00f6hnlichen Pap\u00e0 Germont darstellt. Eine kr\u00e4ftige Stimme, die aber tausend Nuancen zu bieten hat. Spontanes Spiel mit sorgf\u00e4ltig ausgearbeiteter Gestik und wahrhaft partizipativer Mimik. Im Duett mit Violetta im zweiten Akt sehen wir ihn f\u00fcr ganz kurze Momente an ihrem Schmerz teilhaben. <\/em><\/em><\/em><\/em><\/em><\/strong><\/em><\/p>\n\n\n\n<p class=\"has-medium-font-size\"><em><strong><em><em><em><em><em>Beinahe von Mitleid \u00fcberw\u00e4ltigt, streckt er unbemerkt seine Hand aus, um sie zu streicheln, um sie dann schnell wieder zur\u00fcckzuziehen und sich in seine Rolle als autorit\u00e4rer Vater zu versetzen, der eine Aufgabe erf\u00fcllen muss, wie m\u00fchsam sie auch sein mag. Auch im Duett mit Alfredo ersch\u00fcttert er, als er Violettas Brief liest und sich des tiefen Opfers der Frau bewusst wird, nicht weniger n\u00e4hert er sich seinem Sohn mit der Kraft und Arroganz eines Meistervaters im Stil des 19. Jahrhunderts an. Weniger als hinterh\u00e4ltiger Manipulator, sondern eher als befehlsbereiter Infanterieoffizier. <\/em><\/em><\/em><\/em><\/em><\/strong><\/em><\/p>\n\n\n\n<p class=\"has-medium-font-size\"><em><strong><em><em><em><em><em>Er tr\u00e4gt \u201cDi Provenza il mare, il suol...\u201d mit einem bet\u00f6renden Interpretationsreichtum vor, ebenso wie er \u201cNo, non udrai rimproveri copriam d'obliom il passato...\" raffiniert und farbenreich vortr\u00e4gt.<\/em><\/em><\/em><\/em><\/em><\/strong><\/em>\u201c<em><strong><em><em><em><em><em>.<\/em><\/em><\/em><\/em><\/em><\/strong><\/em> <\/p>\n<cite><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.iteatridellest.com\/sassari-la-traviata-giuseppe-verdi-4-dicembre-2022-a-cura-di-loredana-atzei\/\" target=\"_blank\" rel=\"noopener\" title=\"\">Loredana Atzei, Theater des Ostens<\/a><\/span><\/cite><\/blockquote>\n\n\n\n<div class=\"wp-block-uagb-separator uagb-block-73031de9\"><div class=\"wp-block-uagb-separator__inner\" style=\"--my-background-image:\"><\/div><\/div>\n\n\n\n<p>Die Rezensionen beziehen sich auf die Auff\u00fchrung am 4. Dezember 2022 in der Ente Concerti Marialisa de Carolis in Sassari.<br><\/p>\n\n\n\n<p>Regie: Stefano Ranzani \/ Regie: Paolo Vettori<\/p>\n\n\n\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>&#8220;Notevole \u00e8 stata invece la prestazione del sassarese Marco Caria, nella parte di Germont padre, per espressione, bellezza vocale e variet\u00e0 d\u2019accenti: eccellente nel duetto con Violetta, sbarca bene le insidiose anadiplosi in Di Provenza il mare, il suol\u2026 Il registro medio-acuto, brunito e sonoro, \u00e8 la sua arma migliore\u2026&#8220;. Gabriele Verdinelli, GBopera &#8220;Fiore all\u2019occhiello [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[6,7],"tags":[],"class_list":["post-2388","post","type-post","status-publish","format-standard","hentry","category-recensioni","category-verdi"],"aioseo_notices":[],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"trp-custom-language-flag":false},"uagb_author_info":{"display_name":"author","author_link":"https:\/\/marcocaria.net\/de\/author\/llenusyagmail-com\/"},"uagb_comment_info":0,"uagb_excerpt":"&#8220;Notevole \u00e8 stata invece la prestazione del sassarese Marco Caria, nella parte di Germont padre, per espressione, bellezza vocale e variet\u00e0 d\u2019accenti: eccellente nel duetto con Violetta, sbarca bene le insidiose anadiplosi in Di Provenza il mare, il suol\u2026 Il registro medio-acuto, brunito e sonoro, \u00e8 la sua arma migliore\u2026&#8220;. Gabriele Verdinelli, GBopera &#8220;Fiore all\u2019occhiello&hellip;","_links":{"self":[{"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/posts\/2388","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/comments?post=2388"}],"version-history":[{"count":2,"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/posts\/2388\/revisions"}],"predecessor-version":[{"id":2390,"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/posts\/2388\/revisions\/2390"}],"wp:attachment":[{"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/media?parent=2388"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/categories?post=2388"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/tags?post=2388"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}