{"id":2409,"date":"2019-01-31T12:46:40","date_gmt":"2019-01-31T11:46:40","guid":{"rendered":"https:\/\/marcocaria.net\/?p=2409"},"modified":"2025-12-10T12:49:20","modified_gmt":"2025-12-10T11:49:20","slug":"la-traviata-teatro-dellopera-di-roma-gennaio-2019","status":"publish","type":"post","link":"https:\/\/marcocaria.net\/de\/la-traviata-teatro-dellopera-di-roma-gennaio-2019\/","title":{"rendered":"La traviata - Opernhaus Rom, Januar 2019"},"content":{"rendered":"<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-medium-font-size\"><em><strong>\u201c<em><em>Marco Caria begeisterte mit seinem Giorgio Germont, der sich \u201cauf Zehenspitzen\u201d aufdr\u00e4ngt. Von dieser Figur erwartet man immer Nuancen, Weichheit, angedeutete Akzente, und der sardische Bariton brachte sie alle zur Geltung. Die Duette mit Violetta liefen wie am Schn\u00fcrchen, nicht zu vergessen die tiefgr\u00fcndige und pr\u00e4zise Interpretation von Di Provenza il mar, il suol<\/em><\/em>\u201c<\/strong><\/em>.<\/p>\n\n\n\n<p><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.operalibera.net\/joomla\/recensioni\/spettacoli1\/1837-la-traviata-opera-roma-gennaio-2019\" target=\"_blank\" rel=\"noopener\" title=\"\">Simone Ricci, Opera Libera<\/a><\/span><\/p>\n\n\n\n<p><em>Die \u00dcberpr\u00fcfung bezieht sich auf die Leistung am 18. Januar 2019.<\/em><\/p>\n<\/blockquote>\n\n\n\n<div class=\"wp-block-uagb-separator uagb-block-7f014ba3\"><div class=\"wp-block-uagb-separator__inner\" style=\"--my-background-image:\"><\/div><\/div>\n\n\n\n<p>Regie: Pietro Rizzo \/ Regie: Sofia Coppola \/ Kost\u00fcme: Valentino Garavani<\/p>\n\n\n\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>&#8220;Marco Caria ha emozionato con il suo Giorgio Germont che si \u00e8 imposto \u201cin punta di piedi\u201d. Da questo personaggio si attendono sempre sfumature, morbidezze, accenti insinuanti e il baritono sardo li ha sfoggiati tutti. I duetti con Violetta sono filati via lisci come l\u2019olio, senza dimenticare l\u2019interpretazione profonda e accurata di Di Provenza il [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[6,7],"tags":[],"class_list":["post-2409","post","type-post","status-publish","format-standard","hentry","category-recensioni","category-verdi"],"aioseo_notices":[],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"trp-custom-language-flag":false},"uagb_author_info":{"display_name":"author","author_link":"https:\/\/marcocaria.net\/de\/author\/llenusyagmail-com\/"},"uagb_comment_info":0,"uagb_excerpt":"&#8220;Marco Caria ha emozionato con il suo Giorgio Germont che si \u00e8 imposto \u201cin punta di piedi\u201d. Da questo personaggio si attendono sempre sfumature, morbidezze, accenti insinuanti e il baritono sardo li ha sfoggiati tutti. I duetti con Violetta sono filati via lisci come l\u2019olio, senza dimenticare l\u2019interpretazione profonda e accurata di Di Provenza il&hellip;","_links":{"self":[{"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/posts\/2409","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/comments?post=2409"}],"version-history":[{"count":2,"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/posts\/2409\/revisions"}],"predecessor-version":[{"id":2411,"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/posts\/2409\/revisions\/2411"}],"wp:attachment":[{"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/media?parent=2409"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/categories?post=2409"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/tags?post=2409"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}