{"id":2449,"date":"2013-12-10T15:30:03","date_gmt":"2013-12-10T14:30:03","guid":{"rendered":"https:\/\/marcocaria.net\/?p=2449"},"modified":"2025-12-10T15:41:35","modified_gmt":"2025-12-10T14:41:35","slug":"falstaff-los-angeles-opera-novembre-2013","status":"publish","type":"post","link":"https:\/\/marcocaria.net\/de\/falstaff-los-angeles-opera-novembre-2013\/","title":{"rendered":"Falstaff - Oper Los Angeles, November 2013"},"content":{"rendered":"<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-medium-font-size\"><em><strong>\u201c<em><em><em><em>Der Bariton Marco Caria verk\u00f6rperte einen d\u00fcsteren und leicht doppelz\u00fcngigen Ford. Seine Arie wurde zu einem Moment gro\u00dfer dramatischer Spannung, gesungen mit einem markanten verdianischen Baritonklang<\/em><\/em><\/em><\/em>\u201c<\/strong><\/em>.<\/p>\n\n\n\n<p>Original: <\/p>\n\n\n\n<p>\u201cDer Bariton Marco Caria war ein m\u00fcrrischer und d\u00fcpierbarer Ford. Seine Arie war ein dramatischer Anlass und wurde mit einem mitrei\u00dfenden Verdi-Bariton gesungen.<\/p>\n<cite><span style=\"text-decoration: underline;\"><a href=\"https:\/\/bachtrack.com\/review-nov-2013-la-opera-falstaff\" target=\"_blank\" rel=\"noopener\" title=\"\"><a href=\"https:\/\/bachtrack.com\/22\/270\/list-published\/1038\">Matthew Richard Martinez<\/a><\/a><\/span><\/cite><\/blockquote>\n\n\n\n<div class=\"wp-block-uagb-separator uagb-block-72e7a7bb\"><div class=\"wp-block-uagb-separator__inner\" style=\"--my-background-image:\"><\/div><\/div>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-medium-font-size\"><em><strong>\u201c<em><em><em><em>In einer Oper, die oft als arienarm gilt, sind die Hauptrollen dank einer Besetzung mit gro\u00dfer Tiefe \u00fcberraschend gut ausgearbeitet. Besonders hervorzuheben ist der italienische Bariton Marco Caria, ein kraftvoller und pr\u00e4gnanter Ford, der in der Lage ist, einen klassischen Eifersuchtsausbruch zu gestalten, in dem Verdi die tragischeren Szenen aus seinen fr\u00fcheren Opern zu parodieren scheint. Caria beherrscht den Moment mit theatralischer Energie und einer autorit\u00e4ren Gesangslinie und verleiht der Figur eine seltene Intensit\u00e4t.<\/em><\/em><\/em><\/em>\u201c<\/strong><\/em>.<\/p>\n\n\n\n<p>Original: \u201cDie gr\u00f6\u00dferen Partien, d. h. die Figuren mit echten Arien in einer Oper, die so oft als arienlos gilt, sind stark besetzt, insbesondere mit dem italienischen Bariton Marco Caria als Ford (der einen klassisch w\u00fctenden Eifersuchtsausbruch hat, in dem Verdi Szenen aus seinen tragischsten Opern zu parodieren scheint)\u201d.<\/p>\n<cite><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.operawest.com\/los-angeles-opera-presents-verdis-falstaff\/\" target=\"_blank\" rel=\"noopener\" title=\"\">David Gregson, OperaWest.com<\/a><\/span><\/cite><\/blockquote>\n\n\n\n<div class=\"wp-block-uagb-separator uagb-block-5b7f9a20\"><div class=\"wp-block-uagb-separator__inner\" style=\"--my-background-image:\"><\/div><\/div>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-medium-font-size\"><strong><em>\u201cBariton Marco Caria spielt einen charmanten Ford, der mit gen\u00fcgend Stimme und B\u00fchnenpr\u00e4senz ausgestattet ist, um die Handlung zu tragen - eine Leistung, die f\u00fcr diese Rolle bei weitem nicht \u00fcblich ist.<\/em><\/strong><\/p>\n\n\n\n<p>Original: \u201cDer Bariton Marco Caria ist ein gutaussehender Ford, der \u00fcber gen\u00fcgend Stimme und Pr\u00e4senz verf\u00fcgt, um die Handlung zu verankern - eine Leistung, die f\u00fcr diese Rolle nur allzu selten erbracht wird\u201d.<\/p>\n<cite><br><a href=\"https:\/\/www.concertonet.com\/scripts\/review.php?ID_review=9510\" target=\"_blank\" rel=\"noopener\" title=\"\">Dorothy Chandler Pavillon, Concertonet.com<\/a><\/cite><\/blockquote>\n\n\n\n<div class=\"wp-block-uagb-separator uagb-block-e1d3f65a\"><div class=\"wp-block-uagb-separator__inner\" style=\"--my-background-image:\"><\/div><\/div>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-medium-font-size\"><strong><em>\u201cDer Bariton Marco Caria gibt einen ausgesprochen bedrohlichen Ford, den eifers\u00fcchtigen Ehemann von Alice\u201d.<\/em><\/strong><\/p>\n\n\n\n<p>Original: \u201cBariton Marco Caria ist ein richtig bedrohlicher Ford, der eifers\u00fcchtige Ehemann von Alice\u201d.<\/p>\n<cite><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.laltraribalta.it\/2023\/12\/10\/il-nabucco-di-verdi-conclude-limponente-stagione-lirica-dellente-de-carolis-teatro-comunale-gremito-a-sassari-nella-prima-delle-tre-rappresentazioni-in-programma-ovazione-per-la\/\" target=\"_blank\" rel=\"noopener\" title=\"\"><br><\/a><a href=\"https:\/\/www.latimes.com\/entertainment\/arts\/culture\/la-et-cm-la-opera-falstaff-review-20131111-story.html\" target=\"_blank\" rel=\"noopener\" title=\"\">Mark Swed, Musikkritiker der Los Angeles Times<\/a><\/span><\/cite><\/blockquote>\n\n\n\n<div class=\"wp-block-uagb-separator uagb-block-46bc94dc\"><div class=\"wp-block-uagb-separator__inner\" style=\"--my-background-image:\"><\/div><\/div>\n\n\n\n<p>Die Rezensionen beziehen sich auf die Auff\u00fchrungen im November 2013 an der Los Angeles Opera.<\/p>\n\n\n\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>&#8220;Il baritono Marco Caria ha interpretato un Ford cupo e facilmente raggirabile. La sua aria \u00e8 diventata un momento di grande tensione drammatica, cantata con una sonorit\u00e0 baritonale verdiana di notevole impatto&#8220;. Originale: &#8220;Baritone Marco Caria was a dour and dupable Ford. His aria was a dramatic occasion and sung with a thrilling Verdi baritone [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[6,7],"tags":[],"class_list":["post-2449","post","type-post","status-publish","format-standard","hentry","category-recensioni","category-verdi"],"aioseo_notices":[],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"trp-custom-language-flag":false},"uagb_author_info":{"display_name":"author","author_link":"https:\/\/marcocaria.net\/de\/author\/llenusyagmail-com\/"},"uagb_comment_info":0,"uagb_excerpt":"&#8220;Il baritono Marco Caria ha interpretato un Ford cupo e facilmente raggirabile. La sua aria \u00e8 diventata un momento di grande tensione drammatica, cantata con una sonorit\u00e0 baritonale verdiana di notevole impatto&#8220;. Originale: &#8220;Baritone Marco Caria was a dour and dupable Ford. His aria was a dramatic occasion and sung with a thrilling Verdi baritone&hellip;","_links":{"self":[{"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/posts\/2449","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/comments?post=2449"}],"version-history":[{"count":3,"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/posts\/2449\/revisions"}],"predecessor-version":[{"id":2453,"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/posts\/2449\/revisions\/2453"}],"wp:attachment":[{"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/media?parent=2449"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/categories?post=2449"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/tags?post=2449"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}