{"id":2471,"date":"2015-03-30T16:44:00","date_gmt":"2015-03-30T15:44:00","guid":{"rendered":"https:\/\/marcocaria.net\/?p=2471"},"modified":"2025-12-10T16:48:19","modified_gmt":"2025-12-10T15:48:19","slug":"lucia-di-lammermoor-nationale-opera-nederlands-amsterdam-marzo-2015","status":"publish","type":"post","link":"https:\/\/marcocaria.net\/de\/lucia-di-lammermoor-nationale-opera-nederlands-amsterdam-marzo-2015\/","title":{"rendered":"Lucia di Lammermoor - Nationale Opera Nederlands, Amsterdam, M\u00e4rz 2015"},"content":{"rendered":"<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-medium-font-size\"><strong><em>\u201cDer Bariton Marco Caria (Enrico), der als drittes Rad in der Rolle von Lucias grausamem Bruder und Edgardos unerbittlichem Widersacher fungiert, hat das Verdienst, die Bosheit der Figur mit der Eleganz des romantischen Baritons (mit dem Donizetti, mit der Gnade der Verdianer, als erster experimentiert hat) in Einklang zu bringen\u201d.<\/em><\/strong><\/p>\n\n\n\n<p><span style=\"text-decoration: underline;\"><a href=\"https:\/\/bellininews.it\/articoli\/Lucia%20Amsterdam.htm\" target=\"_blank\" rel=\"noopener\" title=\"\">Fulvio Stefano Lo Presti f\u00fcr Bellininews.it<\/a><\/span><\/p>\n<\/blockquote>\n\n\n\n<div class=\"wp-block-uagb-separator uagb-block-77efeffe\"><div class=\"wp-block-uagb-separator__inner\" style=\"--my-background-image:\"><\/div><\/div>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-medium-font-size\"><strong><em>\u201cMarco Caria verf\u00fcgt \u00fcber ein wichtiges stimmliches Mittel und ein wirklich sch\u00f6nes Timbre. Dass er der einzige Italiener in der Besetzung ist, verschafft ihm einen nicht unerheblichen Vorteil in Bezug auf Akzent und Phrasierung, die immer richtig und relevant sind. Es gelingt ihm, einen facettenreichen und interpretatorisch vielf\u00e4ltigen Lord Enrico darzustellen, der oft \u00fcber das Stereotyp des B\u00f6sewichts hinausgeht, auf das diese Figur gew\u00f6hnlich reduziert wird. Der sardische Bariton findet Akzente von d\u00fcsterer Frustration in der Cruda, trauerndem Eifer und anma\u00dfender Aggressivit\u00e4t im Se tradirmi tu potrai im Duett mit Lucia.<\/em><\/strong><\/p>\n\n\n\n<p><a href=\"https:\/\/operaclick.com\/recensioni\/teatrale\/amsterdam-de-nationale-opera-lucia-di-lammermoor\" target=\"_blank\" rel=\"noopener\" title=\"\"><span style=\"text-decoration: underline;\">Edoardo Saccenti f\u00fcr OperaClick.com<\/span><\/a><\/p>\n<\/blockquote>\n\n\n\n<p>Regie: Carlo Rizzi \/ Regie: Monique Wagemakers<\/p>\n\n\n\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>&#8220;Al baritono Marco Caria (Enrico), che funge da terzo incomodo in quanto crudel fratello di Lucia e antagonista implacabile di Edgardo , va il merito di conciliare efficacemente la cattiveria del personaggio con l&#8217;eleganza che si addice al baritono romantico (quello che, con buona pace dei verdiani, fu Donizetti a sperimentarlo per primo)&#8221;. Fulvio Stefano [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[15,6],"tags":[],"class_list":["post-2471","post","type-post","status-publish","format-standard","hentry","category-donizetti","category-recensioni"],"aioseo_notices":[],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"trp-custom-language-flag":false},"uagb_author_info":{"display_name":"author","author_link":"https:\/\/marcocaria.net\/de\/author\/llenusyagmail-com\/"},"uagb_comment_info":0,"uagb_excerpt":"&#8220;Al baritono Marco Caria (Enrico), che funge da terzo incomodo in quanto crudel fratello di Lucia e antagonista implacabile di Edgardo , va il merito di conciliare efficacemente la cattiveria del personaggio con l&#8217;eleganza che si addice al baritono romantico (quello che, con buona pace dei verdiani, fu Donizetti a sperimentarlo per primo)&#8221;. Fulvio Stefano&hellip;","_links":{"self":[{"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/posts\/2471","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/comments?post=2471"}],"version-history":[{"count":1,"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/posts\/2471\/revisions"}],"predecessor-version":[{"id":2472,"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/posts\/2471\/revisions\/2472"}],"wp:attachment":[{"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/media?parent=2471"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/categories?post=2471"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/marcocaria.net\/de\/wp-json\/wp\/v2\/tags?post=2471"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}