{"id":2139,"date":"2025-11-21T14:28:18","date_gmt":"2025-11-21T14:28:18","guid":{"rendered":"https:\/\/dimgrey-mule-618929.hostingersite.com\/?page_id=2139"},"modified":"2025-11-27T11:02:13","modified_gmt":"2025-11-27T10:02:13","slug":"recensioni","status":"publish","type":"page","link":"https:\/\/marcocaria.net\/en\/recensioni\/","title":{"rendered":"Reviews"},"content":{"rendered":"
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Reviews<\/h1><\/div>\n<\/div><\/div>\n\n\n\t\t\t
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\n\t\t\t\t\tAIDA - Opera Hong Kong, OCTOBER 2025<\/a>\n\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\tauthor<\/a>\n\t\t\t\t\t\t\t
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\u201cMarco Caria's ringing baritone and impassioned acting made him an exceptional Amonasro.\u201d Natasha Rogai The review refers to one of the performances in the period from October 9 to 12, 2025 at Opera Hong Kong Director: Ram\u00f3n Tebar \/ Director and lighting: Hugo de Ana<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\tOctober 13, 2025\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t
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\n\t\t\t\t\tTOSCA - SASSARI, NOVEMBER 2024<\/a>\n\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\tauthor<\/a>\n\t\t\t\t\t\t\t
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\u201cExcellent performance by baritone Marco Caria who brought to the stage a torrid Scarpia drawn to perfection by a powerful voice with a beautiful dark timbre and a magnetic stage presence.\u201d \u00abLa Nuova Sardegna\u00bb \u201cThe performer who best understood the necessity of this need to insert voices in a way...\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\tJuly 13, 2024\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\tOTHELLO - SASSARI, JULY 2024<\/a>\n\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\tauthor<\/a>\n\t\t\t\t\t\t\t
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\u201cAnd then there is he, the real dark element: Jago, the Bishop, played by baritone Marco Caria. The beautiful voice with a burnished timbre is rich in color. Insinuating, fierce, slimy and opportunistic. In him there is everything that makes Jago the perverse manipulator that he is.He flatters Othello, circles him, induces him to...\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\tLA BOHEME - TOKYO SPRING FESTIVAL, APRIL 2024<\/a>\n\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\tauthor<\/a>\n\t\t\t\t\t\t\t
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\u201cFirst of all, Marco Caria in the role of Marcello was distinguished by a deep and warm vocal line, with full and even resonance, capable of spreading evenly throughout the hall. His singing, always firm and controlled, is striking in its precision and measure, touching every accent naturally. A...\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\tNABUCCO - SASSARI, DECEMBER 2023<\/a>\n\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\tauthor<\/a>\n\t\t\t\t\t\t\t
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\u201cSardinian baritone Marco Caria made his debut in the title role offering a mature and very heartfelt interpretation of his character, both from an acting and vocal point of view, drawing an extremely convincing Nabucco rich in color and personality.\u201d \u00abThe Sardinian Drummer\u00bb \u201cMarco Caria's Nabucco was excellent (for him...\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\tLa traviata - Teatro dell'Opera di Roma \/ Terme di Caracalla, 2023<\/a>\n\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\tauthor<\/a>\n\t\t\t\t\t\t\t
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\u201cIn this context, the role of the baritone does not take on a particularly positive character: in fact, he represents the interests of the family -- an institution that is ill at times -- and, at the same time, those of the primitive horde, now channeled into a society as respectable as that of the mid-19th century. However, played by Marco Caria, the character...\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\tLA CAVALLERIA RUSTICANA - SASSARI, JUNE 2023<\/a>\n\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\tauthor<\/a>\n\t\t\t\t\t\t\t
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\u201cMarco Caria draws well a modern Alfio, restrained and composed, different from certain ranting and truculent caricatures of so-called tradition. On the contrary, the suppressed anger and the fineness of the vocal nuances give his character a three-dimensionality that no caricature could ever have; of particular note is the understated finale that charges...\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\tLa traviata - Municipal Theater of Sassari, December 2022<\/a>\n\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\tauthor<\/a>\n\t\t\t\t\t\t\t
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\u201cOn the other hand, the performance of Marco Caria from Sassari, in the part of Germont padre, was remarkable for expression, vocal beauty and variety of accents: excellent in the duet with Violetta, he disembarks well from the insidious anadiploses in Di Provenza il mare, il suol... The mid-acoustic register, burnished and sonorous, is his best weapon...\u201d....\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\tTHE BARBER OF SEVILLE - WIENER STAATSOPER, SEPTEMBER 2022<\/a>\n\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\tauthor<\/a>\n\t\t\t\t\t\t\t
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\u201cBaritone Marco Caria as Figaro is a bold barber of Seville.\u201d https:\/\/suemtravels.com\/2022\/10\/01\/the-barber-of-seville-vienna-state-opera\/ The review refers to one of the performances in the period September 22-30, 2022 at the Vienna State Opera Director: Michele Mariotti, Giacomo Sagripanti \/ Director: Herbert Fritsch<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\tSimon Boccanegra - Teatro Massimo di Palermo, FEBRUARY 2022<\/a>\n\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\tauthor<\/a>\n\t\t\t\t\t\t\t
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\u201cThe most psychologically interesting role, and best played, from my point of view, during both evenings, was Marco Caria's Paolo Albiani. The baritone, enjoying a particular softness in his emission and perfect diction, embodied the Mephistophelean character who seems a precursor to...\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\tAida - Macerata Opera Festival, July-August 2021<\/a>\n\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\tauthor<\/a>\n\t\t\t\t\t\t\t
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\u201cMarco Caria plays an excellent Amonasro, on the strength of a well-timed and extended voice and an interpretive line that banishes any verismo-like excess to restore the character to the necessary dignity of a defeated king and father eager for revenge.\u201d Domenico Ciccone, OperaClick \u201cMore technically polished is baritone Marco...\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\tPagliacci - Teatro Lirico di Cagliari, February-March 2020<\/a>\n\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\tauthor<\/a>\n\t\t\t\t\t\t\t
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\u201cDrawing in the opening prologue - sung with adequate display of agri accents and brilliant high notes - Marco Caria lends his fine baritone voice to a sour and satanic Tonio, all played out on the equation between physical deformity and inner perfidy.\u201d Carlo Dore, OperaClick The review refers to the \u201cpremiere\u201d of the 28...\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\tAida - opera house in rome \/ terme di caracalla, july 2019<\/a>\n\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\tauthor<\/a>\n\t\t\t\t\t\t\t
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\u201cA polite Amonasro that of Marco Caria, free from barbarisms that deviate the character from Veridan's accurate baritone writing.\u201d \u201cOpera,\u201d Vincenzo Grisostami Travaglini \u201cMore than discreet Marco Caria as Amonasro: the vocal range was just right to accurately sketch the personality of Aida's father, without forgetting the vigorous phrasing...\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\tAndrea Ch\u00e9nier - Le Grand Th\u00e9\u00e2tre de Tours, May 2019<\/a>\n\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\tauthor<\/a>\n\t\t\t\t\t\t\t
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\u201cMarco Caria shows himself in dazzling vocal form. G\u00e9rard, unlike Ch\u00e9nier, can do without the second degree. With an extended voice, well legato and rightly timbral, neither too dark nor too light, the baritone opens without difficulty a passage in the foreground.\u201d Christophe Rizoud for.\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\tLa traviata - Rome Opera House, January 2019<\/a>\n\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\tauthor<\/a>\n\t\t\t\t\t\t\t
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\u201cMarco Caria thrilled with his Giorgio Germont, who imposed himself \u201con tiptoe.\u201d One always expects nuances, softness, insinuating accents from this character, and the Sardinian baritone showed them all off. The duets with Violetta went off smoothly, not forgetting the deep and...\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\tRigoletto - Cagliari Opera House, 12\/23\/2018<\/a>\n\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\tauthor<\/a>\n\t\t\t\t\t\t\t
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\u201cMarco Caria voices a sensational Rigoletto, which could not have been portrayed better than this. With his powerful and strong singing he engages the audience in the vicissitudes of the court jester, moreover, also through his movements and expressions, he shows that he can fully identify with the character.\u201d Giampaolo Sanna,...\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\tIl trovatore - Chieti, Marrucino Theater, 2018<\/a>\n\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\tauthor<\/a>\n\t\t\t\t\t\t\t
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\u201cArriving practically at the last moment, Marco Caria fits very well into the stage play and just as well in rendering with song an extremely multifaceted character, thanks to a skillful use of phrasing. The voice is of appropriate color and breadth for the role, and is appreciated as much in the more concussive moments of the...\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\tThe Corsair - Modena, Teatro Comunale Luciano Pavarotti, 2018<\/a>\n\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\tauthor<\/a>\n\t\t\t\t\t\t\t
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\u201cBaritone Marco Caria loved to show off his considerable volume and confident, well-timed high notes, resulting in a fine duet with Gulnara in Act III, in which he emphasized first the mellifluous irony of the words and then the violent explosion of jealousy.\u201d Ugo Bedeschi, OperaClick The review refers to...\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\tTHE BARBER OF SEVILLE - WIENER STAATSOPER, SEPTEMBER 2017<\/a>\n\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\tauthor<\/a>\n\t\t\t\t\t\t\t
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\u201cMarco Caria's well-turned baritone voice made an excellent impression from the start. His Largo al factotum was brilliantly sung and each of his subsequent appearances lit up the scene.\u201d Original: \u201cThe well rounded baritone voice of Marco Caria made a good impression from the start....\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\tL'Elisir d'amore - Wiener Staatsoper, June 2017<\/a>\n\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\tauthor<\/a>\n\t\t\t\t\t\t\t
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\u201cMarco Caria evidently loves the \u201chigh peaks\u201d-inserting a few high notes here and there in the role of Belcore, but (even more interestingly) displaying exceptional breath control and a pleasantly buffoonish sergeant, whose interpretation developed elegantly, both vocally and expressively, over the course...\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\tIl Trovatore - Macerata Opera Festival, August 2016<\/a>\n\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\tauthor<\/a>\n\t\t\t\t\t\t\t
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\u201cMarco Caria, as Il Conte di Luna, shows off a manly, stable and warm baritone voice, and performs his aria Il balen in Act II with a good legato; the cabaletta also turns out well.\u201d Original: \u201cMarco Caria as Il Conte di Luna has a manly baritone voice,...\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\tLucia di Lammermoor - Rome Opera House, December 2015<\/a>\n\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\tauthor<\/a>\n\t\t\t\t\t\t\t
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\u201cIn the role of Enrico Marco Caria (first cast) uses well a good baritone voice, wide and full-bodied, leans well, sustains the sounds and holds the high notes (\u201cCruda, funesta smania\u201d).\u201d Giosetta Guerra for TeatriOnline.it Director: Riccardo Muti \/ Director: Damiano Michieletto<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\tRoberto Devereux DVD - Teatro Real, Madrid, OCTOBER 2015<\/a>\n\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\tauthor<\/a>\n\t\t\t\t\t\t\t
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\u201cThe already high vocal standard was further raised by the intensely tormented character played with mastery by principal baritone Marco Caria.\u201d Original: \u201cThe high vocal standard was carried even further by ... principal baritone Marco Caria's heartrendingly anguished performances.\u201d.Janos Gardonyi, TheWholeNote.com \u201cItalian baritone Marco Caria sings in a manner...\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\tLucia di Lammermoor - Deutsche Oper Berlin, October 2015<\/a>\n\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\tauthor<\/a>\n\t\t\t\t\t\t\t
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\u201cMarco Caria, in the role of Enrico, with his full-bodied and resonant baritone, offered a pleasant counterpoint to Ms. Yende and Mr. Kang. He never forced the emission, but shaped the phrases with genuine emotional involvement.\u201d Original: \u201cMarco Caria as Enrico, with his grainy and booming baritone,...\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\tSimon Boccanegra - CD REVIEW, May 27, 2015<\/a>\n\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\tauthor<\/a>\n\t\t\t\t\t\t\t
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\u201cIn the portrait offered by baritone Marco Caria, the wicked Paolo Albiani is a demonic figure, made all the more dangerous by the charming way in which he resonates evil. In the opera's Prologue, Caria plays the Allegro moderato \u201cL'atra magion vedete?.. de\u2019 Fieschi \u00e8 l'empio ostello\u201d with an almost reptilian cunning, and...\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\tLucia di Lammermoor - Nationale Opera Nederlands, Amsterdam, March 2015<\/a>\n\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\tauthor<\/a>\n\t\t\t\t\t\t\t
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\u201cBaritone Marco Caria (Enrico), who serves as a third wheel as Lucia's cruel brother and Edgardo's implacable antagonist , is credited with effectively reconciling the character's viciousness with the elegance befitting the romantic baritone (what, with good grace of the Verdians, was Donizetti to...\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\tMarch 30, 2015\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t
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\n\t\t\t\t\tLucia di Lammermoor - Rome Opera House, March 2015<\/a>\n\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\tauthor<\/a>\n\t\t\t\t\t\t\t
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\u201cMarco Caria's Enrico adapts the part to his vocal possibilities, turning out among other things in line with a direction that sees him as a cold calculator of other people's lives.\u201d Federica Fanizza for Sipario.it Director: Roberto Abbado \/ Director: Ugo Tessitore<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\tMarch 30, 2015\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t
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\n\t\t\t\t\tUn Ballo in Maschera - Teatro Comunale di Bologna, January 2015<\/a>\n\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\tauthor<\/a>\n\t\t\t\t\t\t\t
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\u201cBaritone Marco Caria has an important and malleable vocal mezzo and was able to move in Renato's desperate aria in Act III.\u201d Valentina Anzani, the Musical Bee Director: Michele Mariotti \/ Director: Damiano Michieletto<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\tJanuary 30, 2015\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t
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\n\t\t\t\tDecember 10, 2014\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\tLa traviata - La Fenice Theater in Venice, December 2014<\/a>\n\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\tauthor<\/a>\n\t\t\t\t\t\t\t
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\u201cThe real star of the evening was Marco Caria as Giorgio Germont, whose rough, steely timbre in \u201cDi Provenza il mar\u201d brought out the character's colder, sterner side, with well-sustained high notes that exploded freely. Particularly incisive was the image of the Baron who...\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\tDecember 10, 2014\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t
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\n\t\t\t\tJuly 30, 2014\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\tMadama Butterfly - San Carlo Theater in Naples, July 2014<\/a>\n\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\tauthor<\/a>\n\t\t\t\t\t\t\t
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\u201cMarco Caria has a noble baritone timbre and delivered a polished and incisive interpretation of Sharpless.\u201d Original: \u201cMarco Caria has a noble baritone timbre and delivered a polished and incisive interpretation of Sharpless.\u201d Lorenzo Fiorito<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\tJuly 30, 2014\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t
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\n\t\t\t\tDecember 10, 2013\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\tFalstaff - Los Angeles Opera, November 2013<\/a>\n\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\tauthor<\/a>\n\t\t\t\t\t\t\t
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\u201cBaritone Marco Caria portrayed a somber and easily beamed Ford. His aria became a moment of great dramatic tension, sung with a remarkable Verdian baritone sonority.\u201d Original: \u201cBaritone Marco Caria was a dour and dupable Ford. His aria was a dramatic occasion and sung ...\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\tDecember 10, 2013\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t
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\n\t\t\t\tJuly 28, 2012\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\tLa Traviata - Cincinnati Opera, July 2012<\/a>\n\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\tauthor<\/a>\n\t\t\t\t\t\t\t
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\u201cSardinian baritone Marco Caria was a solid, sonorous Giorgio Germont.\u201d Original: \u201cSardinian baritone Marco Caria was a solid, sonorous Giorgio Germont.\u201d William Burnett, Operawarhorses The review refers to the performance on July 26, 2012<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\t\tLucia di Lammermoor - Wiener Staatsoper, June 2012<\/a>\n\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\tauthor<\/a>\n\t\t\t\t\t\t\t
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\u201cBaritone Marco Caria is also very convincing in the role of Enrico. He is a baritone of real caliber: persuasive in his rhetoric and authoritative in appealing to Lucia as the dominant brother.Lucia accuses Enrico: only God can forgive his actions. And, in refusing marriage to Arturo, she protests that she has sworn allegiance to...\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\tJune 30, 2012\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t
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\n\t\t\t\t\tFalstaff - Wiener Staatsoper, SeptemBRE, 2011<\/a>\n\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\tauthor<\/a>\n\t\t\t\t\t\t\t
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\u201cMarco Caria had an authoritative presence as Ford, a role whose dramatic lines often make him the object of ridicule. Caria played this fiery temperament effectively, with a wide and sonorous vibrato, deliberately coming off as over the top compared to the rest of the work.\u201d Original: \u201cMarco Caria...\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\tSeptember 30, 2011\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t
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\n\t\t\t\tApril 30, 2011\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\tLa Boheme - Atlanta Symphony Hall, April 2011<\/a>\n\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\tauthor<\/a>\n\t\t\t\t\t\t\t
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\u201cBaritone Marco Caria, in the role of Marcello, was in wonderful vocal form: his voice, soft yet piercing, stood out for its quality and presence.\u201d Original: \u201cSoprano Amanda Squitieri and especially baritone Marco Caria, as the squabbling lovers Musetta and Marcello, were in wonderful voice; hers was...\t\t\t<\/div>\n\t\t\t\t\t\t

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\n\t\t\t\tApril 30, 2011\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t\t\t\t
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<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Reviews<\/p>","protected":false},"author":1,"featured_media":2195,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"no-sidebar","site-content-layout":"plain-container","ast-site-content-layout":"normal-width-container","site-content-style":"unboxed","site-sidebar-style":"unboxed","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"enabled","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center 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