{"id":691,"date":"2025-11-20T13:47:31","date_gmt":"2025-11-20T13:47:31","guid":{"rendered":"http:\/\/marcocaria.net\/home\/"},"modified":"2026-10-22T11:11:46","modified_gmt":"2026-10-22T10:11:46","slug":"home","status":"publish","type":"page","link":"https:\/\/marcocaria.net\/en\/","title":{"rendered":"Home"},"content":{"rendered":"
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MARCO CARIA<\/h1><\/div>
Baritone<\/span><\/a><\/div><\/div><\/div>\n<\/div><\/div>\n\n\n\n
\n
Biography and goals<\/h5>

\u201cone of the most interesting voices on the international opera scene.\u201d<\/h2><\/div><\/div><\/div><\/div>\n\n\n\n

Marco Caria, a baritone born in Oristano, is recognized as one of the most interesting voices on the international opera scene, with a career that has taken him to major theaters around the world, from the Wiener Staatsoper to the Teatro Col\u00f3n in Buenos Aires.

His most recent debuts include Scarpia in Tosca (Montpellier 2022), Barnabas in La Gioconda (Cagliari 2025) and Jago in Otello (Sassari 2024), with an anticipated return as Scarpia at the Margarethen Festival in Austria in 2026.<\/p><\/div>

More<\/span><\/path><\/svg><\/a><\/div><\/div><\/div>\n<\/div><\/div>\n\n\n\n
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2001<\/h2>

first competitions<\/h5><\/div>

first victories in international competitions-Tito Gobbi, Domenico Alaleona, Luciano Neroni and others.<\/p><\/div><\/div><\/div>\n\n\n\n

2002<\/h2>

DEBUT at THEATER<\/h5><\/div>

as Don Alvaro in G. Rossini's \u201cIl Viaggio a Reims\u201d at the Teatro Marrucino in Chieti.<\/p><\/div><\/div><\/div>\n\n\n\n

2007<\/h2>

OPERALIA<\/h5><\/div>

Second prize and special audience award in Paris.<\/p><\/div><\/div><\/div>\n\n\n\n

2007<\/h2>

Debut in North America<\/h5><\/div>

Cincinnati, Chicago, San Francisco, Los Angeles.<\/p><\/div><\/div><\/div>\n\n\n\n

2010<\/h2>

DEBUTTO wiener staatsoper<\/h5><\/div>

Beginning of close cooperation.<\/p><\/div><\/div><\/div>\n\n\n\n

2021<\/h2>

singing school opening<\/h5><\/div>

Masterclasses and teaching in Rome.<\/p><\/div><\/div><\/div>\n<\/div><\/div>\n\n\n\n

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REPERTOIRE<\/a><\/h5>

MARCO CARIA HAS MORE THAN FORTY ROLES IN THE REPERTOIRE.<\/h2><\/div><\/div><\/div><\/div>\n\n\n\n
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\"Tosca,<\/div>
\u00abTosca,
you make me forget God!\u00bb<\/span><\/div>

BARON SCARPIA
(TOSCA)<\/p><\/div><\/div>\n\n\n\n

\"Nabucco,<\/div>
\u00abLet the insane tremble at my fury...
victims all shall fall henceforth!...\u00bb<\/span><\/div>

NABUCCO
(NABUCCO)<\/p><\/div><\/div><\/div>\n\n\n\n

\"Otello<\/div>
\u00abAlthough I pretend to love him,
I hate that Moor...\u00bb<\/span><\/div>

JAGO
(OTEL)<\/p><\/div><\/div><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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recent engagements<\/h5><\/div>\n\n\n\n
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MaRCO CARIA CONQUERED THE MOST IMPORTANT THEATRES IN THE WORLD.<\/h2><\/div>\n\n\n\n
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2026<\/h3><\/div>\n\n\n\n

tosca (baron scarpia)<\/h3>

Oper im Steinbruch<\/a> \/ R\u00f6mersteinbruch Sankt Margarethen<\/p><\/div>\n<\/div>\n\n\n\n

\n

2026<\/h3><\/div>\n\n\n\n

THE TROUBADOUR (THE COUNT OF LUNA)<\/h3><\/div>\n\n\n\n

<\/p>\n\n\n\n

Municipal Theater of Lima, Lima, Peru<\/p>\n<\/div>\n\n\n\n

\n

2026<\/h3><\/div>\n\n\n\n

aida (amonasro)<\/h3><\/div>\n\n\n\n

<\/p>\n\n\n\n

Great Festival, Lima, Peru<\/p>\n<\/div>\n\n\n\n

\n

2025<\/h3><\/div>\n\n\n\n

aida (amonasro)<\/h3>

Opera Hong Kong<\/a><\/p><\/div>\n<\/div>\n\n\n\n

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2025<\/h3><\/div>\n\n\n\n

IL TROVATORE (Il Conte Di Luna)\u200b<\/h3>

National Centre for the Performing Arts (Beijing, China)<\/a><\/p><\/div>\n<\/div>\n\n\n\n

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2025<\/h3><\/div>\n\n\n\n

LA GIOCONDA (BARNABAS)<\/h3>

Cagliari Opera House<\/a><\/p><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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\"\"<\/figure><\/div>\n\n\n\n
\n
FUTURE COMMITMENTS.<\/h5>

DON CARLO (Rodrigo, Marquis of Posa)<\/h2><\/div><\/div><\/div>\n\n\n\n
\n

There are characters who accompany you throughout your career. For me Rodrigo, Marquis of Posa, is one of them: I have sung it many times, and every time I discover something new.
On October 30 and November 1 I will give him a voice again. Municipal Theatre of Sassari<\/span><\/a>, In the Don Carlo by Verdi directed by Federico Santi, it is being staged for the first time in the city.
I look forward to seeing you in the theater!<\/p><\/div>\n\n\n\n

OTT. \u2013 NOV.<\/h4>

2026<\/h2><\/div><\/div><\/div><\/div>\n<\/div>\n\n\n\n
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BUYING TICKETS<\/div><\/a><\/div><\/div>\n<\/div><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

<\/p>","protected":false},"excerpt":{"rendered":"

recenti impegni MaRCO CARIA SI ESIBISCE NEI PI\u00f9 IMPORTANTI TEATRI DEL MONDO 2026\u200b tosca (barone scarpia) Oper im Steinbruch \/ R\u00f6mersteinbruch Sankt Margarethen 2026\u200b IL TROVATORE (IL CONTE DI LUNA) Teatro Municipal de Lima, Lima, Per\u00f9 2026\u200b aida (amonasro) Festival Granda, Lima, Per\u00f9 2025\u200b aida (amonasro) Opera Hong Kong 2025\u200b IL TROVATORE (Il conte di […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"full-width-container","site-content-style":"unboxed","site-sidebar-style":"unboxed","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"enabled","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-691","page","type-page","status-publish","hentry"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t