{"id":2292,"date":"2024-12-02T11:39:00","date_gmt":"2024-12-02T10:39:00","guid":{"rendered":"https:\/\/marcocaria.net\/?p=2292"},"modified":"2025-12-02T12:02:32","modified_gmt":"2025-12-02T11:02:32","slug":"tosca-sassari-novembre-2024","status":"publish","type":"post","link":"https:\/\/marcocaria.net\/en\/tosca-sassari-novembre-2024\/","title":{"rendered":"TOSCA - SASSARI, NOVEMBER 2024"},"content":{"rendered":"
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\u201cExcellent performance by baritone Marco Caria who brought to the stage a murky Scarpia drawn to perfection by a powerful voice with a beautiful dark timbre and a magnetic stage presence<\/em><\/em><\/em><\/em>\u201c<\/strong><\/em>.<\/p>\n\u00abThe New Sardinia\u00bb<\/a><\/span><\/cite><\/blockquote>\n\n\n\n

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\u201cThe interpreter who best understood the need for this need to insert the voices more organically \u201cinside\u201d the score was certainly Marco Caria, a refined Scarpia, without certain veristic gigantries, more led by his vocal characteristics to build an insinuating, nuanced, coldly calculating character, far from the crude, vociferous policeman of certain interpretations. It is no coincidence that more than the proterity of his entrance, it was truly admirable to have a second act that was perfectly ingrained in the musical and dramaturgical mechanisms, built with confident, homogeneous vocality and variety of expressive accents<\/em><\/em><\/em><\/em>\u201c<\/strong><\/em>.<\/p>\nGabriele Verdinelli, \u00abGBopera\u00bb<\/a><\/span><\/cite><\/blockquote>\n\n\n\n

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\u201cBaritone Marco Caria played a torrid Scarpia, supported by a\u00a0<\/em>powerful voice and from a magnetic stage presence<\/em><\/strong><\/em><\/em><\/em>\u201c<\/strong><\/em>.<\/p>\nMarco Cau, \u00abSchmag magazine\u00bb<\/a><\/span><\/cite><\/blockquote>\n\n\n\n

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\u201cSardinian baritone Marco Caria has the\u00a0<\/em>physique du r\u00f4le<\/em><\/strong>\u00a0To masterfully embody Scarpia's truncated hubris.<\/em><\/em><\/em>\u201c<\/strong><\/em>.<\/p>\nMaggie S. Lorelli, \u00abThe Music Review.\u00bb<\/a><\/span><\/cite><\/blockquote>\n\n\n\n

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\u201cDarkening the drama is the character of Baron Scarpia, who undermines Tosca by taking advantage of his role as a cop: Oristan baritone Marco Caria succeeds in making him \u201cmurky carrion\u201d not only in vocal performance but also in acting<\/em><\/em>\u201c<\/strong><\/em>.<\/p>\n\u00abThe Sardinian Union\u00bb<\/a><\/span><\/cite><\/blockquote>\n\n\n\n

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\u201cMarco Caria (this time without the beard we had grown accustomed to seeing him with) in the role of Baron Scarpia was also very good. At home at the Comunale di Sassari after his happy debut two years ago as Germont padre in Traviata (and we immediately noticed his qualities) and then returned in 2023 in Pagliacci in Piazza d'Italia and in Nabucco and in this 2024 already Jago in Otello, the baritone from Oristano is a fine reality of the island's opera. Of Scarpia he offered an intense interpretation even on the acting level<\/em><\/em>\u201c<\/strong><\/em>.<\/p>\nL<\/span><\/a>uca Foddai, \u00abSard\u00eces.it\u00bb<\/a><\/span><\/cite><\/blockquote>\n\n\n\n

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\u201cConfirmation\u00a0<\/em>the excellent singing skills<\/em><\/strong>\u00a0Sardinian baritone Marco Caria, at home in De Carolis productions. His interpretation of the malefic Scarpia was decisive...<\/em><\/em>\u201c<\/strong><\/em><\/p>\nLuigi Coppola, \u00abCity&City.\u00bb<\/span><\/a><\/cite><\/blockquote>\n\n\n\n

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\u201cAlso positive was the performance of baritone Marco Caria, who embodied Scarpia with magnetic stage presence and voice suited to the role<\/em>\u201c<\/strong><\/em>.<\/p>\n\u00abEastern Theaters.\u00bb<\/span><\/a><\/cite><\/blockquote>\n\n\n\n

The reviews refer to performances on November 1, 3 and 5, 2024 at the Marialisa de Carolis Concert Society in Sassari.
Director: Gianluca Martinenghi \/ Director: Renato Bonaiuto<\/p>","protected":false},"excerpt":{"rendered":"

“Ottima la prova del baritono Marco Caria che ha portato sul palco un torbido Scarpia disegnato alla perfezione da una voce potente dal bel timbro scuro e una magnetica presenza scenica“. \u00abLa Nuova Sardegna\u00bb “L\u2019interprete che ha compreso meglio la necessit\u00e0 di questa esigenza di inserire le voci in maniera pi\u00f9 organica \u201cdentro\u201d la partitura […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center 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di questa esigenza di inserire le voci in maniera pi\u00f9 organica \u201cdentro\u201d la 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