{"id":2377,"date":"2023-08-20T09:13:01","date_gmt":"2023-08-20T08:13:01","guid":{"rendered":"https:\/\/marcocaria.net\/?p=2377"},"modified":"2025-12-10T09:13:32","modified_gmt":"2025-12-10T08:13:32","slug":"la-traviata-teatro-dellopera-di-roma-terme-di-caracalla-2023","status":"publish","type":"post","link":"https:\/\/marcocaria.net\/en\/la-traviata-teatro-dellopera-di-roma-terme-di-caracalla-2023\/","title":{"rendered":"La traviata - Teatro dell'Opera di Roma \/ Terme di Caracalla, 2023"},"content":{"rendered":"<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-medium-font-size\"><em><strong>\u201c<em><em>In this context, the role of the baritone does not take on a particularly positive character: in fact, he represents the interests of the family - an institution that is ill at times - and, at the same time, those of the primitive horde, now channeled into a society as respectable as that of the mid-19th century. However, played by Marco Caria, the character acquires confidence and authority - and his vocality always remains of great impact - in the most celebrated passages: from the meeting with the protagonist in the country house, in total intimacy, to the reproach addressed to Alfredo during Flora's party, following the discussion between the two lovers.<\/em><\/em>\u201c<\/strong><\/em><\/p>\n<\/blockquote>\n\n\n\n<p>Original: \u201c<em>Aqu\u00ed no tiene un rol agraciado el bar\u00edtono, defendido por Marco Caria, que representa los intereses de la familia, instituci\u00f3n enfermiza en ocasiones y tambi\u00e9n los de la horda primigenia ahora organizada en una sociedad bienpensante como la de mitad del siglo XIX. Sin embargo, interpret\u00f3 con solvencia- su cuerda siempre es muy agradecida adem\u00e1s- los pasajes m\u00e1s conocidos de su encuentro con la protagonista en su casa de campo, a solas y la reconvenci\u00f3n a Alfredo, en la fiesta de Flora, posterior a la discusi\u00f3n entre los amantes por ejemplo<\/em>\u201c.<\/p>\n\n\n\n<p><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.operaclick.com\/recensioni\/teatrale\/roma-terme-di-caracalla-la-traviata-recensione-lingua-spagnola-critica-en-espa%C3%B1o\" target=\"_blank\" rel=\"noopener\" title=\"\">Alicia Perris, Operaclick.com.<\/a><\/span><\/p>\n\n\n\n<p><em>The review refers to the play <em>of August 9, 2023<\/em><\/em>.<\/p>\n\n\n\n<p>Director: Paolo Arrivabeni \/ Director: Lorenzo Mariani<\/p>\n\n\n\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>&#8220;In questo contesto il ruolo del baritono non assume un carattere particolarmente positivo: rappresenta infatti gli interessi della famiglia \u2013 istituzione a tratti malata \u2013 e, al tempo stesso, quelli dell\u2019orda primigenia, ora incanalata in una societ\u00e0 perbenista come quella della met\u00e0 dell\u2019Ottocento. Tuttavia, interpretato da Marco Caria, il personaggio acquista sicurezza e autorevolezza \u2013 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[6,7],"tags":[],"class_list":["post-2377","post","type-post","status-publish","format-standard","hentry","category-recensioni","category-verdi"],"aioseo_notices":[],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"trp-custom-language-flag":false},"uagb_author_info":{"display_name":"author","author_link":"https:\/\/marcocaria.net\/en\/author\/llenusyagmail-com\/"},"uagb_comment_info":0,"uagb_excerpt":"&#8220;In questo contesto il ruolo del baritono non assume un carattere particolarmente positivo: rappresenta infatti gli interessi della famiglia \u2013 istituzione a tratti malata \u2013 e, al tempo stesso, quelli dell\u2019orda primigenia, ora incanalata in una societ\u00e0 perbenista come quella della met\u00e0 dell\u2019Ottocento. Tuttavia, interpretato da Marco Caria, il personaggio acquista sicurezza e autorevolezza \u2013&hellip;","_links":{"self":[{"href":"https:\/\/marcocaria.net\/en\/wp-json\/wp\/v2\/posts\/2377","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/marcocaria.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/marcocaria.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/marcocaria.net\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/marcocaria.net\/en\/wp-json\/wp\/v2\/comments?post=2377"}],"version-history":[{"count":1,"href":"https:\/\/marcocaria.net\/en\/wp-json\/wp\/v2\/posts\/2377\/revisions"}],"predecessor-version":[{"id":2378,"href":"https:\/\/marcocaria.net\/en\/wp-json\/wp\/v2\/posts\/2377\/revisions\/2378"}],"wp:attachment":[{"href":"https:\/\/marcocaria.net\/en\/wp-json\/wp\/v2\/media?parent=2377"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/marcocaria.net\/en\/wp-json\/wp\/v2\/categories?post=2377"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/marcocaria.net\/en\/wp-json\/wp\/v2\/tags?post=2377"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}