{"id":2391,"date":"2022-02-28T11:39:09","date_gmt":"2022-02-28T10:39:09","guid":{"rendered":"https:\/\/marcocaria.net\/?p=2391"},"modified":"2025-12-10T11:39:32","modified_gmt":"2025-12-10T10:39:32","slug":"simon-boccanegra-teatro-massimo-di-palermo-febbraio-2022","status":"publish","type":"post","link":"https:\/\/marcocaria.net\/en\/simon-boccanegra-teatro-massimo-di-palermo-febbraio-2022\/","title":{"rendered":"Simon Boccanegra - Teatro Massimo di Palermo, FEBRUARY 2022"},"content":{"rendered":"<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-medium-font-size\"><strong><em>\u201cThe most psychologically interesting role, and best played, from my point of view, during both evenings, was Marco Caria's Paolo Albiani. The baritone, enjoying a particular softness in his emission and perfect diction, embodied the Mephistophelean character who seems a precursor to Iago. Caria's singing excites at the opening of Act II (\u201cMe stesso ho maledetto! E l'anatema m'insegue ancor\u201d), that is, the scene that seals the doge's fate; he is incisive in intoning the few words that explain his intervention in the unfolding of the story (\u201cScordasti che mi devi il soglio,\u201d Act I); he moves, also for beauty of timbre, at the beginning of Act III (\u201cAll'estremo supplizio\u201d).\u201d.<\/em><\/strong><\/p>\n<\/blockquote>\n\n\n\n<p><a href=\"https:\/\/www.operaclick.com\/recensioni\/teatrale\/palermo-teatro-massimo-simon-boccanegra-primo-cast-e-cast-alternativo\" target=\"_blank\" rel=\"noopener\" title=\"\"><span style=\"text-decoration: underline;\"><em>Federica Faldetta, OperaClick<\/em><\/span><\/a><\/p>\n\n\n\n<p>The review refers to the performances on February 22 and 23, 2022.<\/p>\n\n\n\n<p>Conductor: Jordi Bern\u00e0cer \/ Director: Sylvano Bussotti filmed by Paolo Vettori<\/p>\n\n\n\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>&#8220;Il ruolo psicologicamente pi\u00f9 interessante, e meglio interpretato, dal mio punto di vista, nel corso di entrambe le serate, \u00e8 stato il Paolo Albiani di Marco Caria. Il baritono, godendo di una particolare morbidezza nell\u2019emissione e di una perfetta dizione, ha incarnato il personaggio mefistofelico che sembra un precursore di Iago. Il canto di Caria [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[6,7],"tags":[],"class_list":["post-2391","post","type-post","status-publish","format-standard","hentry","category-recensioni","category-verdi"],"aioseo_notices":[],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"trp-custom-language-flag":false},"uagb_author_info":{"display_name":"author","author_link":"https:\/\/marcocaria.net\/en\/author\/llenusyagmail-com\/"},"uagb_comment_info":0,"uagb_excerpt":"&#8220;Il ruolo psicologicamente pi\u00f9 interessante, e meglio interpretato, dal mio punto di vista, nel corso di entrambe le serate, \u00e8 stato il Paolo Albiani di Marco Caria. Il baritono, godendo di una particolare morbidezza nell\u2019emissione e di una perfetta dizione, ha incarnato il personaggio mefistofelico che sembra un precursore di Iago. Il canto di Caria&hellip;","_links":{"self":[{"href":"https:\/\/marcocaria.net\/en\/wp-json\/wp\/v2\/posts\/2391","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/marcocaria.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/marcocaria.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/marcocaria.net\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/marcocaria.net\/en\/wp-json\/wp\/v2\/comments?post=2391"}],"version-history":[{"count":1,"href":"https:\/\/marcocaria.net\/en\/wp-json\/wp\/v2\/posts\/2391\/revisions"}],"predecessor-version":[{"id":2392,"href":"https:\/\/marcocaria.net\/en\/wp-json\/wp\/v2\/posts\/2391\/revisions\/2392"}],"wp:attachment":[{"href":"https:\/\/marcocaria.net\/en\/wp-json\/wp\/v2\/media?parent=2391"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/marcocaria.net\/en\/wp-json\/wp\/v2\/categories?post=2391"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/marcocaria.net\/en\/wp-json\/wp\/v2\/tags?post=2391"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}