{"id":2434,"date":"2015-05-27T15:08:33","date_gmt":"2015-05-27T14:08:33","guid":{"rendered":"https:\/\/marcocaria.net\/?p=2434"},"modified":"2025-12-10T15:46:14","modified_gmt":"2025-12-10T14:46:14","slug":"simon-boccanegra-cd-review-27-maggio-2015","status":"publish","type":"post","link":"https:\/\/marcocaria.net\/en\/simon-boccanegra-cd-review-27-maggio-2015\/","title":{"rendered":"Simon Boccanegra - CD REVIEW, May 27, 2015"},"content":{"rendered":"
\n

\u201cIn the portrait offered by baritone Marco Caria, the wicked Paolo Albiani is a demonic figure, made all the more dangerous by the charming way in which he resonates evil. In the opera's Prologue, Caria interprets the Allegro moderato \u201cL'atra magion vedete?.. de\u2019 Fieschi \u00e8 l'empio ostello\u201d with an almost reptilian cunning, and carries out his seditious intrigues with steadfast intonation and steady intensity.
In the Act II duet with Fiesco, he voices \u201cMe stesso ho maledetto!\u201d with great vigor.<\/em><\/strong><\/p>\n\n\n\n

In this Paul there is no repentance or remorse as he is led to his deserved execution-if not that of a man who failed to accomplish all the evil he would have liked.
Caria's name is absolutely to be remembered.\u201d.<\/em><\/strong><\/p>\n\n\n\n

Original:<\/p>\n\n\n\n

\u201cAs portrayed by baritone Marco Caria<\/strong>, the wicked Paolo Albiani is a demonic fellow made all the more dangerous by how attractive he makes evil sound. In the opera's Prologue, he voices the Allegro moderato \u2018L'atra magion vedete?.. de\u2019 Fieschi \u00e8 l'empio ostello\u2019 with reptilian slyness, and he conducts his seditious affairs with solid intonation and unrelenting intensity. In the Act Two duet with Fiesco, he voices \u2018Me stesso ho maledetto!\u2019 vigorously. There are no regrets or remorse in this Paolo as he is led to his well-deserved execution except for those of a man who has not accomplished as much mischief as he might have done. Caria's, too, is a name to remember.\u201d.<\/p>\n\n\n\n

Joseph Newsome, Voix des Arts<\/span><\/a><\/p>\n<\/blockquote>\n\n\n\n

<\/div><\/div>\n\n\n\n
\n

\u201cOne of the two important baritone roles-that of Paolo-is played with great vocal strength by Marco Caria, a young Italian who is attracting much attention in Vienna and beyond. The beauty of his timbre and the solidity of his voice enable him to render the many nuances of the character in an extremely convincing way. This is particularly evident when he has to face the Doge's questions and then curse himself at the end of the Council scene (CD2, track 4).\u201d.<\/em><\/strong><\/p>\n\n\n\n

Original:<\/p>\n\n\n\n

\u201cOne of two important designated baritone roles-the role of Paolo are strongly sung Marco Caria, a young Italian, is making waves in Vienna and elsewhere. His tonal beauty and vocal heft enables him to portray the many facets of his role in a very satisfying manner. This is particularly the case as he has stood up to the Doge's questions and then curses himself at the conclusion of the Council Chamber scene (CD2, tr.4).\u201d.<\/p>\n\n\n\n

Robert J Farr, MusicWeb-International<\/a><\/span><\/p>\n<\/blockquote>\n\n\n\n

CD REVIEW: Giuseppe Verdi - SIMON BOCCANEGRA (D. Hvorostovsky, B. Frittoli, I. Abdrazakov, S. Secco, K. Smoriginas, M. Caria; Delos DE 3457).<\/p>\n\n\n\n

Director: Constantine Orbelian<\/p>\n\n\n\n

<\/p>","protected":false},"excerpt":{"rendered":"

“Nel ritratto offerto dal baritono Marco Caria, il malvagio Paolo Albiani \u00e8 una figura demoniaca, resa ancor pi\u00f9 pericolosa dal modo affascinante in cui egli fa risuonare il male. Nel Prologo dell\u2019opera, Caria interpreta l\u2019Allegro moderato \u201cL\u2019atra magion vedete?.. de\u2019 Fieschi \u00e8 l\u2019empio ostello\u201d con una scaltrezza quasi rettiliana, e porta avanti i suoi intrighi […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[6,7],"tags":[],"class_list":["post-2434","post","type-post","status-publish","format-standard","hentry","category-recensioni","category-verdi"],"aioseo_notices":[],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"trp-custom-language-flag":false},"uagb_author_info":{"display_name":"author","author_link":"https:\/\/marcocaria.net\/en\/author\/llenusyagmail-com\/"},"uagb_comment_info":0,"uagb_excerpt":"“Nel ritratto offerto dal baritono Marco Caria, il malvagio Paolo Albiani \u00e8 una figura demoniaca, resa ancor pi\u00f9 pericolosa dal modo affascinante in cui egli fa risuonare il male. Nel Prologo dell\u2019opera, Caria interpreta l\u2019Allegro moderato \u201cL\u2019atra magion vedete?.. de\u2019 Fieschi \u00e8 l\u2019empio ostello\u201d con una scaltrezza quasi rettiliana, e porta avanti i suoi intrighi…","_links":{"self":[{"href":"https:\/\/marcocaria.net\/en\/wp-json\/wp\/v2\/posts\/2434","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/marcocaria.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/marcocaria.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/marcocaria.net\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/marcocaria.net\/en\/wp-json\/wp\/v2\/comments?post=2434"}],"version-history":[{"count":4,"href":"https:\/\/marcocaria.net\/en\/wp-json\/wp\/v2\/posts\/2434\/revisions"}],"predecessor-version":[{"id":2455,"href":"https:\/\/marcocaria.net\/en\/wp-json\/wp\/v2\/posts\/2434\/revisions\/2455"}],"wp:attachment":[{"href":"https:\/\/marcocaria.net\/en\/wp-json\/wp\/v2\/media?parent=2434"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/marcocaria.net\/en\/wp-json\/wp\/v2\/categories?post=2434"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/marcocaria.net\/en\/wp-json\/wp\/v2\/tags?post=2434"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}