{"id":2471,"date":"2015-03-30T16:44:00","date_gmt":"2015-03-30T15:44:00","guid":{"rendered":"https:\/\/marcocaria.net\/?p=2471"},"modified":"2025-12-10T16:48:19","modified_gmt":"2025-12-10T15:48:19","slug":"lucia-di-lammermoor-nationale-opera-nederlands-amsterdam-marzo-2015","status":"publish","type":"post","link":"https:\/\/marcocaria.net\/en\/lucia-di-lammermoor-nationale-opera-nederlands-amsterdam-marzo-2015\/","title":{"rendered":"Lucia di Lammermoor - Nationale Opera Nederlands, Amsterdam, March 2015"},"content":{"rendered":"<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-medium-font-size\"><strong><em>\u201cBaritone Marco Caria (Enrico), who serves as a third wheel as Lucia's cruel brother and Edgardo's implacable antagonist , deserves credit for effectively reconciling the character's viciousness with the elegance befitting the romantic baritone (the one that, with good grace of the Verdians, it was Donizetti who first pioneered).\u201d.<\/em><\/strong><\/p>\n\n\n\n<p><span style=\"text-decoration: underline;\"><a href=\"https:\/\/bellininews.it\/articoli\/Lucia%20Amsterdam.htm\" target=\"_blank\" rel=\"noopener\" title=\"\">Fulvio Stefano Lo Presti for Bellininews.com.<\/a><\/span><\/p>\n<\/blockquote>\n\n\n\n<div class=\"wp-block-uagb-separator uagb-block-77efeffe\"><div class=\"wp-block-uagb-separator__inner\" style=\"--my-background-image:\"><\/div><\/div>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-medium-font-size\"><strong><em>\u201cMarco Caria sports an important vocal mezzo with a really fine timbre. Being the only Italian in the cast benefits him in no small way in terms of accent and phrasing, which are always right and relevant. He succeeds in rendering a multifaceted and interpretively diverse Lord Enrico, who often goes beyond the stereotypical villain to which this character is usually relegated. The Sardinian baritone finds accents of grim frustration in the Cruda, funereal eagerness and overbearing aggression in the Se tradirmi tu potrai in the duet with Lucia.\u201d.<\/em><\/strong><\/p>\n\n\n\n<p><a href=\"https:\/\/operaclick.com\/recensioni\/teatrale\/amsterdam-de-nationale-opera-lucia-di-lammermoor\" target=\"_blank\" rel=\"noopener\" title=\"\"><span style=\"text-decoration: underline;\">Edoardo Saccenti for OperaClick.com<\/span><\/a><\/p>\n<\/blockquote>\n\n\n\n<p>Director: Carlo Rizzi \/ Director: Monique Wagemakers<\/p>\n\n\n\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>&#8220;Al baritono Marco Caria (Enrico), che funge da terzo incomodo in quanto crudel fratello di Lucia e antagonista implacabile di Edgardo , va il merito di conciliare efficacemente la cattiveria del personaggio con l&#8217;eleganza che si addice al baritono romantico (quello che, con buona pace dei verdiani, fu Donizetti a sperimentarlo per primo)&#8221;. Fulvio Stefano [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[15,6],"tags":[],"class_list":["post-2471","post","type-post","status-publish","format-standard","hentry","category-donizetti","category-recensioni"],"aioseo_notices":[],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"trp-custom-language-flag":false},"uagb_author_info":{"display_name":"author","author_link":"https:\/\/marcocaria.net\/en\/author\/llenusyagmail-com\/"},"uagb_comment_info":0,"uagb_excerpt":"&#8220;Al baritono Marco Caria (Enrico), che funge da terzo incomodo in quanto crudel fratello di Lucia e antagonista implacabile di Edgardo , va il merito di conciliare efficacemente la cattiveria del personaggio con l&#8217;eleganza che si addice al baritono romantico (quello che, con buona pace dei verdiani, fu Donizetti a sperimentarlo per primo)&#8221;. Fulvio Stefano&hellip;","_links":{"self":[{"href":"https:\/\/marcocaria.net\/en\/wp-json\/wp\/v2\/posts\/2471","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/marcocaria.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/marcocaria.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/marcocaria.net\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/marcocaria.net\/en\/wp-json\/wp\/v2\/comments?post=2471"}],"version-history":[{"count":1,"href":"https:\/\/marcocaria.net\/en\/wp-json\/wp\/v2\/posts\/2471\/revisions"}],"predecessor-version":[{"id":2472,"href":"https:\/\/marcocaria.net\/en\/wp-json\/wp\/v2\/posts\/2471\/revisions\/2472"}],"wp:attachment":[{"href":"https:\/\/marcocaria.net\/en\/wp-json\/wp\/v2\/media?parent=2471"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/marcocaria.net\/en\/wp-json\/wp\/v2\/categories?post=2471"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/marcocaria.net\/en\/wp-json\/wp\/v2\/tags?post=2471"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}