donizetti

“In the role of Enrico Marco Caria (first cast) uses well a good baritone voice, wide and full-bodied, leans well, sustains the sounds and holds the high notes (“Cruda, funesta smania”).” Giosetta Guerra for TeatriOnline.it Director: Riccardo Muti / Director: Damiano Michieletto

“The already high vocal standard was further raised by the intensely tormented character played with mastery by principal baritone Marco Caria.” Original: “The high vocal standard was carried even further by ... principal baritone Marco Caria's heartrendingly anguished performances. ”Janos Gardonyi, TheWholeNote.com “Italian baritone Marco Caria sings the role of the Duke nicely

“Marco Caria, in the role of Enrico, with his full-bodied and resonant baritone, offered a pleasant counterpoint to Ms. Yende and Mr. Kang. He never forced the emission, but shaped the phrases with genuine emotional involvement.” Original: “Marco Caria as Enrico, with his grainy and booming baritone, was a delightful counterpoint to

“Baritone Marco Caria (Enrico), who serves as a third wheel as Lucia's cruel brother and Edgardo's implacable antagonist , deserves credit for effectively reconciling the character's viciousness with the elegance befitting the romantic baritone (the one that, with good grace of the Verdians, it was Donizetti who first pioneered).” Fulvio Stefano

“Marco Caria's Enrico adapts the part to his vocal possibilities, turning out among other things in line with a direction that sees him as a cold calculator of other people's lives.” Federica Fanizza for Sipario.it Director: Roberto Abbado / Director: Ugo Tessitore

“Baritone Marco Caria is also very convincing in the role of Enrico. He is a baritone of real caliber: persuasive in his rhetoric and authoritative in appealing to Lucia as the dominant brother.Lucia accuses Enrico: only God can forgive his actions. And, refusing marriage to Arturo, she protests that she has sworn allegiance to another. «Enough!» exclaims Enrico,