LA BOHEME - TOKYO SPRING FESTIVAL, APRIL 2024

First of all, Marco Caria in the role of Marcello was distinguished by a deep and warm vocal line, with full and even resonance, capable of spreading evenly throughout the hall. His singing, always firm and controlled, is striking in its precision and measure, touching every accent naturally. Rounding out the picture is a tinge of vocal charm-almost a subtle timbral sex appeal-that makes her performance all the more engaging and magnetic“.

http://blog.livedoor.jp/kzfj0409/archives/92705366.html

Marco Caria in his portrayal of Marcello used his whole body to produce the powerful baritone sound.“.

https://ameblo.jp/baybay22/entry-12848140453.html

Caria, who plays the role of Marcello, has a subtle and even vocal line“.

https://ameblo.jp/classic-journey/entry-12848404456.html

As for the male voices, Marco Caria's Marcello is wonderful. Marcello's rich voice makes you feel his inclusiveness. Especially the second act is wonderful“.

http://bunbunpalace2.livedoor.blog/archives/24456714.html

Marco Caria's noble Marcello (baritone) has a dark voice and together with Colline's voice they create a youthful atmosphere, supported by orchestral music that emphasizes lyricism“.

Toshi Kohara, Music critic, opera critic.

Reviews refer to performances on April 11 and 14, 2024.

Conductor: Pier Giorgio Morandi / Opera in concert form