Reviews

“Marco Caria's ringing baritone and impassioned acting made him an exceptional Amonasro.” Natasha Rogai The review refers to one of the performances in the period from October 9 to 12, 2025 at Opera Hong Kong Director: Ramón Tebar / Director and lighting: Hugo de Ana

“And then there is he, the real dark element: Jago, the Bishop, played by baritone Marco Caria. The beautiful voice with a burnished timbre is rich in color. Insinuating, fierce, slimy and opportunistic. In him there is everything that makes Jago the perverse manipulator that he is.He flatters Othello, circles him, induces him to...

“Sardinian baritone Marco Caria made his debut in the title role offering a mature and very heartfelt interpretation of his character, both from an acting and vocal point of view, drawing an extremely convincing Nabucco rich in color and personality.” «The Sardinian Drummer» “Marco Caria's Nabucco was excellent (for him...

“Marco Caria draws well a modern Alfio, restrained and composed, different from certain ranting and truculent caricatures of so-called tradition. On the contrary, the suppressed anger and the fineness of the vocal nuances give his character a three-dimensionality that no caricature could ever have; of particular note is the understated finale that charges...

“Baritone Marco Caria as Figaro is a bold barber of Seville.” https://suemtravels.com/2022/10/01/the-barber-of-seville-vienna-state-opera/ The review refers to one of the performances in the period September 22-30, 2022 at the Vienna State Opera Director: Michele Mariotti, Giacomo Sagripanti / Director: Herbert Fritsch

“Marco Caria plays an excellent Amonasro, on the strength of a well-timed and extended voice and an interpretive line that banishes any verismo-like excess to restore the character to the necessary dignity of a defeated king and father eager for revenge.” Domenico Ciccone, OperaClick “More technically polished is baritone Marco...

“A polite Amonasro that of Marco Caria, free from barbarisms that deviate the character from Veridan's accurate baritone writing.” “Opera,” Vincenzo Grisostami Travaglini “More than discreet Marco Caria as Amonasro: the vocal range was just right to accurately sketch the personality of Aida's father, without forgetting the vigorous phrasing...

“Marco Caria thrilled with his Giorgio Germont, who imposed himself “on tiptoe.” One always expects nuances, softness, insinuating accents from this character, and the Sardinian baritone showed them all off. The duets with Violetta went off smoothly, not forgetting the deep and...

“Arriving practically at the last moment, Marco Caria fits very well into the stage play and just as well in rendering with song an extremely multifaceted character, thanks to a skillful use of phrasing. The voice is of appropriate color and breadth for the role, and is appreciated as much in the more concussive moments of the...

“Marco Caria's well-turned baritone voice made an excellent impression from the start. His Largo al factotum was brilliantly sung and each of his subsequent appearances lit up the scene.” Original: “The well rounded baritone voice of Marco Caria made a good impression from the start....

“Marco Caria, as Il Conte di Luna, shows off a manly, stable and warm baritone voice, and performs his aria Il balen in Act II with a good legato; the cabaletta also turns out well.” Original: “Marco Caria as Il Conte di Luna has a manly baritone voice,...

“The already high vocal standard was further raised by the intensely tormented character played with mastery by principal baritone Marco Caria.” Original: “The high vocal standard was carried even further by ... principal baritone Marco Caria's heartrendingly anguished performances.”.Janos Gardonyi, TheWholeNote.com “Italian baritone Marco Caria sings in a manner...

“In the portrait offered by baritone Marco Caria, the wicked Paolo Albiani is a demonic figure, made all the more dangerous by the charming way in which he resonates evil. In the opera's Prologue, Caria plays the Allegro moderato “L'atra magion vedete?.. de’ Fieschi è l'empio ostello” with an almost reptilian cunning, and...

“Marco Caria's Enrico adapts the part to his vocal possibilities, turning out among other things in line with a direction that sees him as a cold calculator of other people's lives.” Federica Fanizza for Sipario.it Director: Roberto Abbado / Director: Ugo Tessitore

“The real star of the evening was Marco Caria as Giorgio Germont, whose rough, steely timbre in “Di Provenza il mar” brought out the character's colder, sterner side, with well-sustained high notes that exploded freely. Particularly incisive was the image of the Baron who...

“Baritone Marco Caria portrayed a somber and easily beamed Ford. His aria became a moment of great dramatic tension, sung with a remarkable Verdian baritone sonority.” Original: “Baritone Marco Caria was a dour and dupable Ford. His aria was a dramatic occasion and sung ...

“Baritone Marco Caria is also very convincing in the role of Enrico. He is a baritone of real caliber: persuasive in his rhetoric and authoritative in appealing to Lucia as the dominant brother.Lucia accuses Enrico: only God can forgive his actions. And, in refusing marriage to Arturo, she protests that she has sworn allegiance to...

“Baritone Marco Caria, in the role of Marcello, was in wonderful vocal form: his voice, soft yet piercing, stood out for its quality and presence.” Original: “Soprano Amanda Squitieri and especially baritone Marco Caria, as the squabbling lovers Musetta and Marcello, were in wonderful voice; hers was...